1 00:00:02,377 --> 00:00:04,774 [Photronique's "Dancing in the Stars"] 2 00:00:05,172 --> 00:00:07,007 ‐ The qualifiers are almost done 3 00:00:07,007 --> 00:00:08,842 here at the "World of Dance" warehouse, 4 00:00:08,842 --> 00:00:10,511 and the final batch of dancers 5 00:00:10,511 --> 00:00:13,096 are inside, stretching in the holding area, 6 00:00:13,096 --> 00:00:14,765 and they've got no idea that Jennifer Lopez, 7 00:00:14,765 --> 00:00:17,351 Derek Hough, and Ne‐Yo have decided to attend 8 00:00:17,351 --> 00:00:19,978 what they think is their final audition. 9 00:00:19,978 --> 00:00:22,439 ‐ I love the grit this season. 10 00:00:22,439 --> 00:00:25,025 I feel like the fight‐‐it has to be there when you walk in. 11 00:00:25,025 --> 00:00:26,818 ‐ Yeah. ‐ Off top, there's no‐‐ 12 00:00:26,818 --> 00:00:28,362 ‐ Also it's nerve‐wracking. ‐ Yeah. 13 00:00:28,362 --> 00:00:29,446 ‐ Like, they get a little nervous 14 00:00:29,446 --> 00:00:30,989 right off the top when they start. 15 00:00:30,989 --> 00:00:32,449 ♪ ♪ 16 00:00:32,449 --> 00:00:34,201 ‐ ♪ Tonight's the night ♪ 17 00:00:34,201 --> 00:00:36,537 ♪ To let it go ♪ 18 00:00:36,537 --> 00:00:39,498 ♪ Oh, oh ♪ 19 00:00:39,498 --> 00:00:41,542 ‐ The competition is on. 20 00:00:41,542 --> 00:00:45,128 ‐ ♪ And we'll be dancing in the stars ♪ 21 00:00:45,128 --> 00:00:47,381 [upbeat music] 22 00:00:47,381 --> 00:00:49,341 ‐ Hello! ‐ Hi. 23 00:00:49,341 --> 00:00:51,218 ♪ ♪ 24 00:00:51,218 --> 00:00:54,638 ‐ [speaking French] 25 00:00:54,638 --> 00:00:56,056 [laughter] 26 00:00:56,056 --> 00:00:57,516 ♪ ♪ 27 00:00:57,516 --> 00:00:59,726 [laughter] 28 00:00:59,726 --> 00:01:01,728 ‐ [whooshing sharply] 29 00:01:01,728 --> 00:01:02,896 We are... 30 00:01:02,896 --> 00:01:04,731 [together] Géométrie Variable. 31 00:01:04,731 --> 00:01:07,192 ‐ Dirty crew from France first. 32 00:01:07,192 --> 00:01:08,527 ‐ Boo! 33 00:01:08,527 --> 00:01:09,861 [exhales sharply] 34 00:01:09,861 --> 00:01:12,573 [laughter] 35 00:01:12,573 --> 00:01:14,408 Good? 36 00:01:14,408 --> 00:01:15,742 [The Script's "Underdog"] 37 00:01:15,742 --> 00:01:16,743 ‐ ♪ Just when you think I've given up ♪ 38 00:01:16,743 --> 00:01:18,036 ♪ I start to fight ♪ 39 00:01:18,036 --> 00:01:19,413 ♪ When you think I've had enough ♪ 40 00:01:19,413 --> 00:01:21,039 ♪ I start to bite ♪ 41 00:01:21,039 --> 00:01:23,250 ♪ I'm gonna prove the whole world wrong tonight ♪ 42 00:01:28,547 --> 00:01:31,592 ‐ ♪ This is for the underdog, underdog, yeah ♪ 43 00:02:24,728 --> 00:02:27,731 [heartbeat thumping] 44 00:02:27,731 --> 00:02:28,982 [deep exhale] 45 00:02:28,982 --> 00:02:30,317 ‐ All right, now stand by. 46 00:02:30,317 --> 00:02:32,319 Three, two‐‐ 47 00:02:32,319 --> 00:02:35,447 [tense music] 48 00:02:36,948 --> 00:02:38,617 ‐ Yo. ‐ Well, hello. 49 00:02:38,617 --> 00:02:39,660 ‐ Hi. ‐ Yo. 50 00:02:39,660 --> 00:02:41,495 ‐ Welcome. ‐ Thank you. 51 00:02:41,495 --> 00:02:44,706 ‐ I'm not even going to butcher you guys' name, 52 00:02:44,706 --> 00:02:46,041 so can you say it for me? 53 00:02:46,041 --> 00:02:48,502 ‐ Géométrie Variable. 54 00:02:48,502 --> 00:02:50,003 ‐ Géo‐‐one more time? ‐ You're French? 55 00:02:50,003 --> 00:02:52,172 ‐ Géométrie. ‐ Yeah, we're from France. 56 00:02:52,172 --> 00:02:54,174 ‐ Géométrie Variable. ‐ Okay. 57 00:02:54,174 --> 00:02:55,467 ‐ Variable, yes. ‐ I love it. 58 00:02:55,467 --> 00:02:56,677 I got it. I got it. 59 00:02:56,677 --> 00:02:58,345 ‐ Did you expect that we were gonna be here? 60 00:02:58,345 --> 00:02:59,846 ‐ You guys kept it very cool when you walked out here 61 00:02:59,846 --> 00:03:01,264 to be shocked that we're here. 62 00:03:01,264 --> 00:03:02,766 Like, you're just naturally this cool? 63 00:03:02,766 --> 00:03:04,017 Is that how it works? ‐ I mean, they're French. 64 00:03:04,017 --> 00:03:05,519 Come on, bro. ‐ Just a cool guy. 65 00:03:05,519 --> 00:03:06,520 How are you? ‐ Super cool. 66 00:03:06,520 --> 00:03:08,438 ‐ Are we ready? 67 00:03:08,438 --> 00:03:10,273 ‐ Born ready. ‐ Born ready. 68 00:03:10,273 --> 00:03:11,525 ‐ Let's go. ‐ Let's get it. 69 00:03:11,525 --> 00:03:12,859 ‐ We're super excited. ‐ Let's get it. 70 00:03:12,859 --> 00:03:13,985 ‐ Let's go. ‐ Let's go. 71 00:03:18,365 --> 00:03:21,368 [Tove Lo's "Habits (Hippie Sabotage Remix)"] 72 00:03:21,368 --> 00:03:23,954 ‐ ♪ Oh, oh ♪ 73 00:03:23,954 --> 00:03:26,331 ‐ Yes. ‐ We can do this, guys. 74 00:03:26,331 --> 00:03:27,416 ‐ Oh, come on. ‐ Yes. 75 00:03:27,416 --> 00:03:29,876 ‐ Come on. ‐ ♪ Oh, oh ♪ 76 00:03:29,876 --> 00:03:30,961 ♪ Oh, oh ♪ 77 00:03:30,961 --> 00:03:32,879 ‐ Hey, hey, hey, hey, hey, hey. 78 00:03:32,879 --> 00:03:34,673 ‐ ♪ Oh, oh ♪ 79 00:03:34,673 --> 00:03:36,716 Ooh, ooh. 80 00:03:36,716 --> 00:03:40,720 ‐ ♪ Oh, oh, oh, oh, oh, oh ♪ 81 00:03:40,720 --> 00:03:42,222 ♪ Staying in my play pretend ♪ 82 00:03:42,222 --> 00:03:43,557 ‐ Oh, love it. 83 00:03:43,557 --> 00:03:45,058 ‐ ♪ Where the fun ain't got no end ♪ 84 00:03:45,058 --> 00:03:46,893 ♪ Staying in my play pretend ♪ 85 00:03:46,893 --> 00:03:48,562 ♪ where the fun ain't got no end ♪ 86 00:03:48,562 --> 00:03:49,813 ‐ Ooh. 87 00:03:49,813 --> 00:03:51,064 ♪ ♪ 88 00:03:51,064 --> 00:03:53,733 ‐ ♪ You're gone and I gotta stay high ♪ 89 00:03:53,733 --> 00:03:56,236 ♪ All the time ♪ ‐ Whoo! Whoo! 90 00:03:56,236 --> 00:03:59,573 ‐ ♪ To climb too high all the time ♪ 91 00:03:59,573 --> 00:04:03,577 ♪ To climb too high all the time ♪ 92 00:04:03,577 --> 00:04:05,537 ♪ To keep you off my mind ♪ ‐ Hey. 93 00:04:05,537 --> 00:04:07,080 ‐ ♪ Whoa, whoa ♪ 94 00:04:07,080 --> 00:04:09,124 ‐ Whoo, that was great. 95 00:04:09,124 --> 00:04:11,418 ‐ ♪ High all the time ♪ 96 00:04:11,418 --> 00:04:14,588 ♪ To climb too high all the time ♪ 97 00:04:14,588 --> 00:04:16,256 ‐ Hey. ‐ Ah. 98 00:04:16,256 --> 00:04:19,426 ‐ ♪ To climb too high all the time ♪ 99 00:04:19,426 --> 00:04:21,428 ♪ To keep you off my mind ♪ 100 00:04:21,428 --> 00:04:25,599 ♪ Whoa, whoa, whoa, whoa ♪ 101 00:04:25,599 --> 00:04:28,560 ♪ Oh, oh ♪ 102 00:04:30,604 --> 00:04:32,939 ‐ Mm. ‐ Yo, okay, okay. 103 00:04:32,939 --> 00:04:34,441 ‐ Yep. ‐ Whoo! 104 00:04:34,441 --> 00:04:35,776 ‐ Yep. 105 00:04:35,776 --> 00:04:37,903 Quality. ‐ That looks so tiring. 106 00:04:37,903 --> 00:04:38,904 ‐ That was‐‐ 107 00:04:38,904 --> 00:04:40,280 [laughter] 108 00:04:40,280 --> 00:04:41,615 ‐ That is just, like, art. 109 00:04:41,615 --> 00:04:44,117 ‐ I mean, honestly, very intense to kind of 110 00:04:44,117 --> 00:04:47,120 keep yourself so controlled when you're so excited 111 00:04:47,120 --> 00:04:50,999 and to put so much energy into each very precise move. 112 00:04:50,999 --> 00:04:52,459 It was really interesting. 113 00:04:53,460 --> 00:04:54,461 ‐ Yeah. ‐ It was entertaining. 114 00:04:54,461 --> 00:04:55,962 It was cinematic. I like this thing. 115 00:04:55,962 --> 00:04:57,047 Boom. 116 00:04:57,047 --> 00:04:58,381 ‐ No, let's do it‐‐ no, like this. 117 00:04:58,381 --> 00:04:59,800 ‐ Oh, wait, can we do this? ‐ Come, come, come. 118 00:04:59,800 --> 00:05:01,301 ‐ Wait, how do I‐‐ ‐ Nah, show us. 119 00:05:01,301 --> 00:05:02,803 Come show us the move. ‐ We can change something. 120 00:05:02,803 --> 00:05:03,804 ‐ Come, come, come. ‐ Yeah, we'll show you. 121 00:05:03,804 --> 00:05:04,805 We'll show you. ‐ I wanna‐‐ 122 00:05:04,805 --> 00:05:06,139 ‐ Show us for real. 123 00:05:06,139 --> 00:05:07,265 ‐ Okay. ‐ Okay. 124 00:05:07,265 --> 00:05:08,892 ‐ So‐‐ ‐ I'm gonna be in the middle. 125 00:05:08,892 --> 00:05:10,477 ‐ You direct us. You choreograph us. 126 00:05:10,477 --> 00:05:12,312 ‐ Okay, yes. 127 00:05:12,312 --> 00:05:13,980 ‐ Okay, we'll follow you. We'll mirror you. 128 00:05:13,980 --> 00:05:15,148 ‐ So you, you're him. ‐ Okay. 129 00:05:15,148 --> 00:05:17,150 ‐ I don't wanna mess up the ponytail. 130 00:05:17,150 --> 00:05:18,568 ‐ One. ‐ One. 131 00:05:18,568 --> 00:05:19,820 [Tove Lo's "Habits (Hippie Sabotage Remix)"] 132 00:05:19,820 --> 00:05:20,821 ‐ Two. 133 00:05:20,821 --> 00:05:21,988 ‐ Three. ‐ Three. 134 00:05:21,988 --> 00:05:23,406 ‐ Four. ‐ Yes. 135 00:05:23,406 --> 00:05:25,283 ‐ Five, six. ‐ Five, six. 136 00:05:25,283 --> 00:05:26,910 ‐ Seven, eight. ‐ Seven, eight. 137 00:05:26,910 --> 00:05:28,495 ‐ Perfect. ‐ Yeah, yo. 138 00:05:28,495 --> 00:05:30,705 ‐ Like it feels. ‐ She's like, "I can do this." 139 00:05:30,705 --> 00:05:31,998 ‐ We can do this. ‐ Oh, I'm saying. 140 00:05:31,998 --> 00:05:34,334 [laughter] 141 00:05:34,334 --> 00:05:35,669 ‐ I love it. I love it. 142 00:05:35,669 --> 00:05:37,003 ‐ Thank you. ‐ Yes. 143 00:05:37,003 --> 00:05:39,256 ‐ Yo, yo, brother. ‐ Respect, respect, respect. 144 00:05:39,256 --> 00:05:40,590 Thank you very much. ‐ Thank you. 145 00:05:40,590 --> 00:05:43,009 ‐ Nice, okay. 146 00:05:43,009 --> 00:05:44,261 ‐ You know what? 147 00:05:44,261 --> 00:05:46,680 The geometric element of what you guys do 148 00:05:46,680 --> 00:05:48,765 is absolutely prominent. 149 00:05:48,765 --> 00:05:51,434 I feel like I just did a really hard math test, 150 00:05:51,434 --> 00:05:54,020 and I don't know if I passed. ‐ [chuckles] 151 00:05:55,313 --> 00:05:58,859 ‐ But I also felt that the song was coming through 152 00:05:58,859 --> 00:06:00,151 in the movement. ‐ Mm. 153 00:06:00,151 --> 00:06:01,361 ‐ Even though it was very linear, 154 00:06:01,361 --> 00:06:02,779 there was still a lot of emotion in it. 155 00:06:02,779 --> 00:06:04,197 ‐ Definitely. 156 00:06:04,197 --> 00:06:05,365 ‐ What I loved about this was that 157 00:06:05,365 --> 00:06:08,159 I feel like, in routines, we've seen moments 158 00:06:08,159 --> 00:06:10,203 of this type of, you know... ‐ Yeah. 159 00:06:10,203 --> 00:06:13,081 ‐ Art form, but not an entire routine 160 00:06:13,081 --> 00:06:16,001 that's really central and based around, you know, 161 00:06:16,001 --> 00:06:18,879 creating shapes and visuals using your limbs. 162 00:06:18,879 --> 00:06:20,338 ‐ That was awesome. What did you guys think? 163 00:06:20,338 --> 00:06:21,464 What'd you think, Ne‐Yo? 164 00:06:21,464 --> 00:06:22,883 I like what you guys brought today. 165 00:06:22,883 --> 00:06:24,050 It's a yes for me. 166 00:06:24,050 --> 00:06:25,302 ‐ Thank you very much. ‐ Thanks a lot. 167 00:06:25,302 --> 00:06:26,678 ‐ Derek, what were your thoughts on them? 168 00:06:26,678 --> 00:06:29,139 ‐ Well, listen, I'm gonna say it's a yes. 169 00:06:29,139 --> 00:06:30,140 [The Script's "Underdog"] 170 00:06:30,140 --> 00:06:31,141 ‐ Yes. 171 00:06:31,141 --> 00:06:33,476 ‐ Whoo, whoo! ‐ Whoo‐hoo! 172 00:06:33,476 --> 00:06:35,478 ♪ ♪ 173 00:06:35,478 --> 00:06:37,647 ‐ Congratulations, okay, but notes. 174 00:06:37,647 --> 00:06:40,567 I love what this is, but I'm anxious to see 175 00:06:40,567 --> 00:06:42,903 how much more you can do with this. 176 00:06:42,903 --> 00:06:45,071 ‐ Okay. ‐ No problem. 177 00:06:45,071 --> 00:06:46,531 ‐ Congratulations. ‐ Good job, guys. 178 00:06:46,531 --> 00:06:47,699 ‐ You guys, thanks. ‐ Thanks a lot. 179 00:06:47,699 --> 00:06:48,742 ‐ We'll see you in the duels. ‐ Yeah. 180 00:06:48,742 --> 00:06:50,410 ‐ Thank you. ‐ Thank you. 181 00:06:50,410 --> 00:06:51,911 ‐ Whoo. 182 00:06:51,911 --> 00:06:54,873 ♪ ♪ 183 00:06:54,873 --> 00:06:56,207 ‐ Ouch. 184 00:06:56,207 --> 00:06:57,459 ‐ Oh, did I hit you in the face? 185 00:06:57,459 --> 00:06:58,752 ‐ Yes. ‐ That's all right. 186 00:06:58,752 --> 00:07:00,712 You got two of them. ‐ Two faces? 187 00:07:00,712 --> 00:07:02,005 ‐ [laughs] ‐ Wait, what does‐‐ 188 00:07:02,005 --> 00:07:03,840 ‐ Boo, boo, boo. ‐ Okay. 189 00:07:03,840 --> 00:07:05,258 ‐ [laughs] 190 00:07:05,258 --> 00:07:08,178 ‐ ♪ This is for the underdog, underdog ♪ 191 00:07:08,178 --> 00:07:09,220 ♪ ♪ 192 00:07:14,899 --> 00:07:16,400 [upbeat music] 193 00:07:17,270 --> 00:07:18,438 ‐ ♪ Whatever it takes, whatever it takes ♪ 194 00:07:18,438 --> 00:07:20,565 ♪ Can't separate ♪ 195 00:07:20,565 --> 00:07:21,941 ♪ Whatever it takes ♪ 196 00:07:21,941 --> 00:07:23,610 ♪ ♪ 197 00:07:23,610 --> 00:07:24,861 ♪ Whatever it takes ♪ 198 00:07:24,861 --> 00:07:26,071 ‐ What's up? ‐ What up, guys? 199 00:07:26,071 --> 00:07:28,448 ‐ We're backstage right now. 200 00:07:28,448 --> 00:07:31,618 About to go on. ‐ Feeling a little nervous. 201 00:07:31,618 --> 00:07:33,703 ‐ ♪ Whatever it takes, whatever it takes ♪ 202 00:07:33,703 --> 00:07:35,288 ‐ Season four, let's do this. 203 00:07:35,288 --> 00:07:37,165 Brand new day for the dance. 204 00:07:37,165 --> 00:07:40,126 Got this person here. She's‐‐she's a‐‐ 205 00:07:40,126 --> 00:07:42,253 ‐ You can call me Red. ‐ Call her Big Red. 206 00:07:42,253 --> 00:07:43,380 ‐ [laughs] 207 00:07:43,380 --> 00:07:44,798 ‐ I clearly did not dress up today. 208 00:07:44,798 --> 00:07:48,218 ‐ We've been the sexiest judges on TV for four seasons now. 209 00:07:48,218 --> 00:07:49,803 ‐ ♪ This is the fourth season ♪ 210 00:07:49,803 --> 00:07:51,304 ‐ The fourth season of that sex appeal. 211 00:07:51,304 --> 00:07:52,305 ♪ ♪ 212 00:07:52,305 --> 00:07:53,807 Mm. ‐ Jason, you have to go. 213 00:07:53,807 --> 00:07:55,642 ‐ Jason, don't ever go. 214 00:07:55,642 --> 00:07:59,270 ♪ ♪ 215 00:07:59,270 --> 00:08:00,730 [clapping] 216 00:08:00,730 --> 00:08:02,148 [together] Go Muser. 217 00:08:02,148 --> 00:08:03,316 [clapping] 218 00:08:03,316 --> 00:08:04,609 [together] Go Muser. 219 00:08:04,609 --> 00:08:06,069 ‐ All right. 220 00:08:06,069 --> 00:08:08,071 Hey, hey, hey. 221 00:08:08,071 --> 00:08:11,658 Hold on a second. I recognize y'all. 222 00:08:11,658 --> 00:08:14,160 But y'all were two different crews before. 223 00:08:14,160 --> 00:08:15,161 ‐ Yeah. ‐ Yeah. 224 00:08:15,161 --> 00:08:16,246 ‐ Minibots. ‐ Yeah. 225 00:08:16,246 --> 00:08:18,039 ‐ And Funkanometry. ‐ You got it. 226 00:08:18,039 --> 00:08:19,040 ‐ Hey, what's up guys? 227 00:08:19,040 --> 00:08:20,041 We are the... 228 00:08:20,041 --> 00:08:21,167 [together] Gigabots. 229 00:08:21,167 --> 00:08:22,335 [punchy music] 230 00:08:22,335 --> 00:08:24,003 ‐ ♪ Why don't we just get along ♪ 231 00:08:24,003 --> 00:08:25,672 ♪ We ain't kids no more ♪ 232 00:08:25,672 --> 00:08:27,340 ♪ ♪ 233 00:08:27,340 --> 00:08:30,176 ‐ After last season, our lives have changed drastically. 234 00:08:30,176 --> 00:08:31,636 ‐ Yeah, we'll be out on the streets... 235 00:08:31,636 --> 00:08:32,846 ‐ Yeah, it's so crazy. ‐ And people will be like‐‐ 236 00:08:32,846 --> 00:08:34,347 ‐ "Funkanometry"! ‐ And we're like, "Yeah!" 237 00:08:34,347 --> 00:08:36,099 ‐ Yeah, damn, yeah, it's a dream come true. 238 00:08:36,099 --> 00:08:38,685 It was kind of like we were mini celebrities. 239 00:08:38,685 --> 00:08:39,853 ‐ You know, shout out to the funk fam. 240 00:08:39,853 --> 00:08:41,187 ‐ Hey. 241 00:08:41,187 --> 00:08:42,522 [laughter] 242 00:08:42,522 --> 00:08:43,523 ‐ Hey. ‐ Hey. 243 00:08:43,523 --> 00:08:44,524 [laughter] 244 00:08:44,524 --> 00:08:46,693 ♪ ♪ 245 00:08:46,693 --> 00:08:48,194 ‐ You know, "World of Dance" is, like, a dancer's dream 246 00:08:48,194 --> 00:08:50,363 'cause we get to compete with, like, the best 247 00:08:50,363 --> 00:08:51,656 and, you know, bring street dance‐‐ 248 00:08:51,656 --> 00:08:53,199 real street dance‐‐ to the stage. 249 00:08:53,199 --> 00:08:54,868 ‐ I'ma go ahead and get my selfie now then. 250 00:08:54,868 --> 00:08:56,661 [together] J‐Lo. 251 00:08:56,661 --> 00:08:57,954 [laughter] 252 00:08:57,954 --> 00:08:59,372 ‐ Let's show 'em that funk. ‐ Let's go. 253 00:08:59,372 --> 00:09:00,415 I'm going so hard. 254 00:09:00,415 --> 00:09:01,583 [heartbeat thumping] 255 00:09:01,583 --> 00:09:03,209 ‐ Let's go guys. Leave everything on the floor. 256 00:09:03,209 --> 00:09:04,210 [tense music] 257 00:09:04,210 --> 00:09:05,336 Come on. 258 00:09:06,546 --> 00:09:07,881 ‐ Hey, guys. 259 00:09:07,881 --> 00:09:08,882 all: What? 260 00:09:08,882 --> 00:09:10,050 ‐ Come on back. ‐ Yo. 261 00:09:10,050 --> 00:09:11,885 ‐ How are you? ‐ What's up? 262 00:09:11,885 --> 00:09:13,344 ‐ Wait, I recognize you guys. ‐ We're back. 263 00:09:13,344 --> 00:09:14,846 ‐ Hey, we back. ‐ Yo, what? 264 00:09:14,846 --> 00:09:15,972 ‐ When we first see you guys, it was this. 265 00:09:15,972 --> 00:09:17,223 ‐ We back. ‐ Now it's‐‐ 266 00:09:17,223 --> 00:09:18,808 ‐ We've grown since last year a little bit. 267 00:09:18,808 --> 00:09:20,894 ‐ Little bit, little bit. 268 00:09:20,894 --> 00:09:22,312 ‐ Let's see what you got. ‐ Let's get it. 269 00:09:22,312 --> 00:09:24,230 ‐ Let's go! Hustle up! 270 00:09:24,230 --> 00:09:25,815 Yeah! 271 00:09:25,815 --> 00:09:27,067 ‐ Whoo! 272 00:09:31,738 --> 00:09:34,741 [Ozone's "Funkin' on the One"] 273 00:09:34,741 --> 00:09:37,744 [upbeat funk music] 274 00:09:37,744 --> 00:09:39,037 ♪ ♪ 275 00:09:39,037 --> 00:09:40,955 ‐ Hey, hey, come on. 276 00:09:40,955 --> 00:09:42,582 ♪ ♪ 277 00:09:42,582 --> 00:09:43,958 ‐ ♪ Make your body move ♪ ‐ Hot! 278 00:09:43,958 --> 00:09:45,752 ‐ ♪ Make your body move ♪ ‐ That's all? 279 00:09:45,752 --> 00:09:47,754 ♪ ♪ 280 00:09:47,754 --> 00:09:48,838 ‐ ♪ Funkin' on the one ♪ 281 00:09:48,838 --> 00:09:49,839 ♪ Oh, oh, what? ♪ 282 00:09:49,839 --> 00:09:51,007 ♪ Oh ♪ 283 00:09:51,007 --> 00:09:52,759 ♪ Make your body move ♪ 284 00:09:52,759 --> 00:09:54,010 ♪ To the groove ♪ 285 00:09:54,010 --> 00:09:55,011 ♪ ♪ 286 00:09:55,011 --> 00:09:56,554 ♪ Funkin' on the One ♪ 287 00:09:56,554 --> 00:09:57,555 ♪ On the one ♪ 288 00:09:57,555 --> 00:09:58,556 ♪ ♪ 289 00:09:58,556 --> 00:09:59,599 ‐ Hey. 290 00:09:59,599 --> 00:10:05,438 ♪ ♪ 291 00:10:05,438 --> 00:10:06,606 ♪ The way you move ♪ 292 00:10:06,606 --> 00:10:08,608 ♪ You move so freaky ♪ 293 00:10:08,608 --> 00:10:11,194 ♪ This has got to be the thing for you ♪ 294 00:10:11,194 --> 00:10:12,195 ♪ ♪ 295 00:10:12,195 --> 00:10:14,614 ♪ The funk is ripping ♪ 296 00:10:14,614 --> 00:10:16,074 ♪ The beat's offbeat ♪ 297 00:10:16,074 --> 00:10:18,868 ♪ So move your body and move your feet ♪ 298 00:10:18,868 --> 00:10:20,453 ‐ Hey. ‐ ♪ Get down ♪ 299 00:10:20,453 --> 00:10:21,788 ‐ Hey. 300 00:10:21,788 --> 00:10:24,165 ‐ ♪ Shake, get down on the one ♪ 301 00:10:24,165 --> 00:10:25,500 ‐ Whoo! 302 00:10:25,500 --> 00:10:27,043 ‐ ♪ Move your body on the one ♪ 303 00:10:27,043 --> 00:10:28,044 ‐ Yo. 304 00:10:28,044 --> 00:10:29,462 ‐ ♪ Let me hear you say ♪ 305 00:10:29,462 --> 00:10:30,880 ‐ Come on. 306 00:10:30,880 --> 00:10:36,302 ♪ ♪ 307 00:10:36,302 --> 00:10:37,345 ‐ ♪ Funk ♪ 308 00:10:39,639 --> 00:10:40,682 ‐ All right. 309 00:10:42,892 --> 00:10:44,269 ‐ What? ‐ Oh! 310 00:10:44,269 --> 00:10:45,478 ‐ Let's go. 311 00:10:45,478 --> 00:10:46,813 [all laughing and applauding] 312 00:10:46,813 --> 00:10:48,439 ‐ Good job, Danny. ‐ Yo, good job guys. 313 00:10:48,439 --> 00:10:49,566 ‐ Good job, boys. Let's go. 314 00:10:49,566 --> 00:10:50,567 ‐ You it. ‐ Nice job, guys. 315 00:10:50,567 --> 00:10:52,152 ‐ It's undeniable. 316 00:10:52,152 --> 00:10:53,611 Obviously, we're smiling. We're grinning from ear to ear. 317 00:10:53,611 --> 00:10:54,988 That was so much fun. 318 00:10:54,988 --> 00:10:57,824 My man right here, your face, I love‐‐oh, my gosh. 319 00:10:57,824 --> 00:10:59,242 So entertaining. 320 00:10:59,242 --> 00:11:02,120 ‐ So many standout moments from different ones of you 321 00:11:02,120 --> 00:11:03,663 at different times, which was really nice. 322 00:11:03,663 --> 00:11:05,206 ‐ Thank you so much. ‐ Well done, guys, well done. 323 00:11:05,206 --> 00:11:07,834 ‐ I like the contrast because you guys hit really hard, 324 00:11:07,834 --> 00:11:09,669 but then when it came time to groove, like, 325 00:11:09,669 --> 00:11:10,962 the groove was there at the same time, 326 00:11:10,962 --> 00:11:13,840 but it could be slightly stronger. 327 00:11:13,840 --> 00:11:16,801 ‐ Yeah, I mean, you guys were a real standout last year. 328 00:11:16,801 --> 00:11:18,344 Now you've joined forces, 329 00:11:18,344 --> 00:11:20,346 and the fusion of the group together, 330 00:11:20,346 --> 00:11:22,182 I'm wondering how strong it is. 331 00:11:22,182 --> 00:11:23,600 Sometimes it's better just to be two. 332 00:11:23,600 --> 00:11:24,684 ‐ Yeah. ‐ Yeah. 333 00:11:24,684 --> 00:11:26,477 ‐ I don't feel this group is as strong 334 00:11:26,477 --> 00:11:28,813 as what we saw last year from you guys, 335 00:11:28,813 --> 00:11:30,481 so for me, it's gonna be a no. 336 00:11:30,481 --> 00:11:33,443 [dramatic music] 337 00:11:33,443 --> 00:11:34,694 ‐ You know what? 338 00:11:34,694 --> 00:11:36,529 ♪ ♪ 339 00:11:36,529 --> 00:11:38,156 I'm thinking it's gonna be a callback. 340 00:11:38,156 --> 00:11:39,616 ♪ ♪ 341 00:11:39,616 --> 00:11:41,618 ‐ I thoroughly enjoyed it, but is this going to be 342 00:11:41,618 --> 00:11:43,369 competitive in this arena? 343 00:11:43,369 --> 00:11:44,621 ♪ ♪ 344 00:11:44,621 --> 00:11:46,915 And the conclusion for me was no. 345 00:11:46,915 --> 00:11:48,374 ♪ ♪ 346 00:11:48,374 --> 00:11:50,835 You guys are great dancers. It's wildly entertaining. 347 00:11:50,835 --> 00:11:53,379 It just wasn't that day today, but good luck, all right? 348 00:11:53,379 --> 00:11:54,881 Keep keeping at what you're doing. 349 00:11:54,881 --> 00:11:56,216 ‐ Thanks, guys, and it was good to see you again. 350 00:11:56,216 --> 00:11:57,717 ‐ Thank you guys. So good seeing y'all. 351 00:11:57,717 --> 00:11:58,718 Good day. 352 00:11:58,718 --> 00:12:00,553 ‐ ♪ Whoa, whoa ♪ 353 00:12:00,553 --> 00:12:03,389 ♪ Oh, oh, oh, oh ♪ 354 00:12:03,389 --> 00:12:04,891 ♪ Whoa, whoa ♪ 355 00:12:04,891 --> 00:12:07,727 ‐ It's tough. ‐ It's tough. 356 00:12:07,727 --> 00:12:10,521 ‐ Let this be the thing that takes you to the next level. 357 00:12:10,521 --> 00:12:12,065 Ne‐Yo. ‐ Yes. 358 00:12:12,065 --> 00:12:14,859 ‐ I know you said callback. 359 00:12:14,859 --> 00:12:17,654 ‐ It's not the end of the book. It's the end of the chapter. 360 00:12:17,654 --> 00:12:20,406 Go, come back. 361 00:12:20,406 --> 00:12:21,407 Yes? ‐ Yes. 362 00:12:21,407 --> 00:12:22,575 ‐ Yes? Good job. 363 00:12:22,575 --> 00:12:23,576 Come on. 364 00:12:23,576 --> 00:12:24,911 ♪ ♪ 365 00:12:24,911 --> 00:12:27,622 [plucky classical music] 366 00:12:27,622 --> 00:12:29,582 ‐ Today, you're gonna learn fifth position. 367 00:12:29,582 --> 00:12:30,583 ‐ Okay. 368 00:12:30,583 --> 00:12:31,918 ‐ Other leg has to go like this. 369 00:12:31,918 --> 00:12:33,253 ‐ Totally natural. 370 00:12:33,253 --> 00:12:34,254 ‐ That looks good. 371 00:12:34,254 --> 00:12:35,922 ‐ Help me. I can't get out of this. 372 00:12:35,922 --> 00:12:37,257 ‐ Okay, just go like‐‐ ‐ No, for real. 373 00:12:37,257 --> 00:12:38,424 [laughter] 374 00:12:38,424 --> 00:12:40,343 ‐ Boom. ‐ There you go. 375 00:12:40,343 --> 00:12:41,511 ‐ I'ma need some ice. ‐ [laughs] 376 00:12:41,511 --> 00:12:42,887 ‐ I'm Maddy Penny. 377 00:12:42,887 --> 00:12:45,014 I'm 15 years old, and I'm a ballet dancer 378 00:12:45,014 --> 00:12:46,224 from Mesa, Arizona. 379 00:12:46,224 --> 00:12:50,270 ♪ ♪ 380 00:12:50,270 --> 00:12:53,439 The typical stereotype for a ballerina is, 381 00:12:53,439 --> 00:12:56,943 like, proper, shy, 382 00:12:56,943 --> 00:12:58,736 really quiet. 383 00:12:58,736 --> 00:13:00,029 ♪ ♪ 384 00:13:00,029 --> 00:13:01,948 I'm not like that. 385 00:13:01,948 --> 00:13:04,367 I'm not very quiet. I'm actually kind of loud. 386 00:13:04,367 --> 00:13:05,368 [punchy music] 387 00:13:05,368 --> 00:13:06,452 [laughs] 388 00:13:06,452 --> 00:13:08,705 So a lot of people see me as the person 389 00:13:08,705 --> 00:13:10,915 who's always goofing around, but when I go 390 00:13:10,915 --> 00:13:14,752 on that stage, I'm really just focused in what I'm doing. 391 00:13:14,752 --> 00:13:15,753 [Malou Prytz's "Ballerina"] 392 00:13:15,753 --> 00:13:17,630 ‐ ♪ When I'm alone ♪ 393 00:13:17,630 --> 00:13:20,049 ♪ I will dance like a ballerina ♪ 394 00:13:20,049 --> 00:13:22,135 ♪ Across the floor in a dark arena ♪ 395 00:13:22,135 --> 00:13:24,304 ‐ I'm just trying to show the world 396 00:13:24,304 --> 00:13:26,097 that not everything is so boring in ballet 397 00:13:26,097 --> 00:13:27,807 like people think. 398 00:13:27,807 --> 00:13:29,892 ‐ ♪ I will dance like a ballerina ♪ 399 00:13:29,892 --> 00:13:31,394 ‐ And I want to be the first ballerina 400 00:13:31,394 --> 00:13:32,645 to win "World of Dance." 401 00:13:32,645 --> 00:13:33,980 ‐ All right, let's do it, Maddy. 402 00:13:33,980 --> 00:13:34,981 Maddy Penny. 403 00:13:34,981 --> 00:13:36,774 ‐ ♪ Like a ballerina ♪ 404 00:13:38,818 --> 00:13:40,153 ‐ Hi. ‐ Hello. 405 00:13:40,153 --> 00:13:41,404 ‐ Hi. ‐ How are you? 406 00:13:41,404 --> 00:13:43,239 ‐ Good. ‐ Hi. 407 00:13:43,239 --> 00:13:44,907 ‐ Oh, my gosh. You're so pretty. 408 00:13:44,907 --> 00:13:46,159 ‐ Thank you. ‐ She's talking to you. 409 00:13:46,159 --> 00:13:47,660 ‐ Thank you. I love your purple tutu. 410 00:13:47,660 --> 00:13:48,661 ‐ Thank you. 411 00:13:48,661 --> 00:13:50,204 ‐ Maddy, how you feel? 412 00:13:50,204 --> 00:13:51,831 ‐ A little nervous, but more excited. 413 00:13:51,831 --> 00:13:52,874 ‐ Nice. 414 00:13:52,874 --> 00:13:53,875 ‐ All right, you ready to show us? 415 00:13:53,875 --> 00:13:55,001 ‐ Yes. ‐ Let's see it. 416 00:13:55,001 --> 00:13:56,127 ‐ Let's do it. ‐ Let's see it. 417 00:13:56,127 --> 00:13:57,712 Got the pointe shoes on, all right. 418 00:13:59,338 --> 00:14:03,176 ‐ ♪ I'm slowly killing myself ♪ 419 00:14:03,176 --> 00:14:07,638 ♪ I'm trying so hard at the back of the shelf ♪ 420 00:14:07,638 --> 00:14:10,266 ♪ It's just the same every day ♪ 421 00:14:10,266 --> 00:14:11,934 ♪ ♪ 422 00:14:11,934 --> 00:14:15,688 ♪ I'm writing these songs that will never get played ♪ 423 00:14:15,688 --> 00:14:18,691 ♪ I get told what's wrong and what's right ♪ 424 00:14:18,691 --> 00:14:20,151 ♪ ♪ 425 00:14:20,151 --> 00:14:23,780 ♪ I'm still ashamed of who I used to be ♪ 426 00:14:23,780 --> 00:14:26,032 ♪ So I try way too hard ♪ 427 00:14:26,032 --> 00:14:29,202 ♪ But I still miss the mark to fit in ♪ 428 00:14:29,202 --> 00:14:31,204 ‐ Contemporary ballet. ‐ Yeah. 429 00:14:31,204 --> 00:14:32,246 ‐ Amazing. 430 00:14:32,246 --> 00:14:35,249 ‐ ♪ Help me ♪ 431 00:14:35,249 --> 00:14:38,377 ♪ Oh, please, someone help me ♪ 432 00:14:38,377 --> 00:14:39,712 ♪ ♪ 433 00:14:39,712 --> 00:14:42,965 ♪ I don't care anyone or anything ♪ 434 00:14:42,965 --> 00:14:46,052 ♪ 'Cause I'm so sick of being so lonely ♪ 435 00:14:46,052 --> 00:14:48,054 ♪ ♪ 436 00:14:48,054 --> 00:14:50,723 ♪ I miss all my family ♪ 437 00:14:50,723 --> 00:14:52,058 ♪ ♪ 438 00:14:52,058 --> 00:14:55,228 ♪ I don't care anyone, anything ♪ 439 00:14:55,228 --> 00:14:58,689 ♪ Cause I'm so sick of being so lonely ♪ 440 00:14:58,689 --> 00:15:00,358 ♪ ♪ 441 00:15:00,358 --> 00:15:03,569 ♪ I don't care anyone, anything ♪ 442 00:15:03,569 --> 00:15:06,906 ♪ Cause I'm so sick of being so lonely ♪ 443 00:15:06,906 --> 00:15:08,825 ♪ ♪ 444 00:15:08,825 --> 00:15:10,576 ‐ Yeah. ‐ Nice, well done, Maddy. 445 00:15:10,576 --> 00:15:12,745 ‐ Yeah. ‐ Yeah. 446 00:15:12,745 --> 00:15:13,746 [applause] 447 00:15:13,746 --> 00:15:15,039 ‐ So that was really great. 448 00:15:15,039 --> 00:15:16,624 I saw a mix of contemporary in there. 449 00:15:16,624 --> 00:15:17,917 ‐ Yeah. 450 00:15:17,917 --> 00:15:19,544 ‐ Wasn't, like, traditional ballet en pointe, 451 00:15:19,544 --> 00:15:21,212 and it's great to see somebody 452 00:15:21,212 --> 00:15:23,089 who can do some of the contemporary, 453 00:15:23,089 --> 00:15:25,716 go up en pointe, and have this amazing technique, 454 00:15:25,716 --> 00:15:27,927 which you do have, but I will say this. 455 00:15:27,927 --> 00:15:30,680 Ballerinas are a little bit more reserved. 456 00:15:30,680 --> 00:15:33,099 Their emotion is a little bit more contained, 457 00:15:33,099 --> 00:15:34,767 and contemporary's, like, the exact opposite. 458 00:15:34,767 --> 00:15:36,435 They're like, blech, all over the place 459 00:15:36,435 --> 00:15:38,271 with their emotions and everything, right? 460 00:15:38,271 --> 00:15:39,730 ‐ Yes. ‐ Exactly. 461 00:15:39,730 --> 00:15:41,274 ‐ It's a whole different style. I need to see that. 462 00:15:41,274 --> 00:15:42,608 ‐ Okay. 463 00:15:42,608 --> 00:15:45,069 ‐ That very first move when you brought your leg 464 00:15:45,069 --> 00:15:46,445 over like this. 465 00:15:46,445 --> 00:15:47,697 That right there showed me 466 00:15:47,697 --> 00:15:50,032 that technique is not a problem for you at all. 467 00:15:50,032 --> 00:15:53,452 But the problem is you're all technique. 468 00:15:53,452 --> 00:15:54,704 Like, the song is... ‐ Yeah. 469 00:15:54,704 --> 00:15:56,789 ‐ ♪ Help me ♪ 470 00:15:56,789 --> 00:15:58,833 There's so many opportunities for there to be 471 00:15:58,833 --> 00:16:03,546 so much emotional, just, ugh, that I didn't get. 472 00:16:03,546 --> 00:16:05,381 ‐ It's weird because you're such a great dancer, 473 00:16:05,381 --> 00:16:07,633 but it felt like a very safe routine. 474 00:16:07,633 --> 00:16:09,969 There was no moment where I felt like, "Oh, wow," 475 00:16:09,969 --> 00:16:12,638 like, you know, drawn in, and that comes with‐‐ 476 00:16:12,638 --> 00:16:15,641 ‐ Not safe 'cause you did some athletic things 477 00:16:15,641 --> 00:16:17,810 that were risky. ‐ Oh, not safe. 478 00:16:17,810 --> 00:16:19,979 That's what I'm trying to say. ‐ But safe emotionally. 479 00:16:19,979 --> 00:16:21,314 ‐ Yes. ‐ Okay. 480 00:16:21,314 --> 00:16:23,482 ‐ So for me, personally... 481 00:16:23,482 --> 00:16:25,318 I'm gonna say no. ‐ Okay. 482 00:16:25,318 --> 00:16:26,319 ‐ You know what? 483 00:16:26,319 --> 00:16:27,486 It's gonna be a callback for me. 484 00:16:27,486 --> 00:16:28,654 ‐ Okay. 485 00:16:28,654 --> 00:16:29,655 ‐ Because, again, I feel like the technique 486 00:16:29,655 --> 00:16:30,740 is definitely there. 487 00:16:30,740 --> 00:16:32,074 I would like to give you the opportunity 488 00:16:32,074 --> 00:16:34,160 to show me that you have the emotional side too. 489 00:16:34,160 --> 00:16:35,912 ‐ Okay. 490 00:16:35,912 --> 00:16:38,456 ‐ For me, it's a yes. 491 00:16:38,456 --> 00:16:41,000 So I want you to come back. 492 00:16:41,000 --> 00:16:44,086 Since he's a no, I'm a yes, and he's a callback, 493 00:16:44,086 --> 00:16:46,005 we can decide if we're calling you back 494 00:16:46,005 --> 00:16:48,174 or yes right now 'cause majority rules. 495 00:16:48,174 --> 00:16:49,425 ‐ Okay. 496 00:16:49,425 --> 00:16:53,179 [dramatic music] 497 00:16:53,179 --> 00:16:55,932 I see the potential. I'm just not 100% sold. 498 00:16:55,932 --> 00:16:57,850 ‐ I just think she's one of the best kind of 499 00:16:57,850 --> 00:16:59,852 technical dancers that we've seen. 500 00:16:59,852 --> 00:17:02,605 [Malou Prytz's "Ballerina"] 501 00:17:02,605 --> 00:17:03,940 ‐ Hmm. 502 00:17:05,316 --> 00:17:08,194 ‐ Okay, all right, I'ma ride with you this time. 503 00:17:08,194 --> 00:17:09,612 ‐ You're gonna ride with me this time? 504 00:17:09,612 --> 00:17:11,364 ‐ I'ma ride with you this time. ‐ It's a yes, baby! 505 00:17:11,364 --> 00:17:13,032 ‐ It's a yes. ‐ Yay! 506 00:17:13,032 --> 00:17:14,116 ‐ Good job, thank you. ‐ Congratulations. 507 00:17:14,116 --> 00:17:15,117 ‐ Congrats. ‐ Thank you so much. 508 00:17:15,117 --> 00:17:16,369 ‐ You pulled through. 509 00:17:16,369 --> 00:17:18,204 ‐ ♪ I will dance like a ballerina ♪ 510 00:17:18,204 --> 00:17:20,581 ‐ So next performance, I need tears from her. 511 00:17:20,581 --> 00:17:21,832 Next performance. ‐ She gotta go in. 512 00:17:21,832 --> 00:17:23,125 She gotta go in. 513 00:17:23,125 --> 00:17:25,711 ‐ It's a yes. ‐ Shut up‐‐yes? 514 00:17:25,711 --> 00:17:26,712 ‐ Yes. ‐ Yes? 515 00:17:26,712 --> 00:17:29,215 Straight to the duels? Yes. 516 00:17:29,215 --> 00:17:32,843 Okay, you know what this means. 517 00:17:32,843 --> 00:17:34,053 ‐ Mm‐hmm. 518 00:17:34,053 --> 00:17:35,888 ‐ It is called the duel for a reason, right? 519 00:17:35,888 --> 00:17:37,723 ‐ Mm‐hmm. ‐ It's a battle... 520 00:17:37,723 --> 00:17:38,891 ‐ Yeah. 521 00:17:38,891 --> 00:17:41,519 ‐ Which means you gotta bring ballet to... 522 00:17:41,519 --> 00:17:42,895 [grunts] 523 00:17:42,895 --> 00:17:44,063 ‐ I'll bring it. I'll bring it. 524 00:17:44,063 --> 00:17:45,356 ‐ [grunts] You got this. 525 00:17:45,356 --> 00:17:47,567 I'm so excited for you. ‐ Thank you. 526 00:17:47,567 --> 00:17:49,235 ‐ I'm so excited for you. 527 00:17:49,235 --> 00:17:51,696 ‐ ♪ I will dance like a ballerina ♪ 528 00:17:57,791 --> 00:17:58,661 [punchy music] 529 00:17:59,662 --> 00:18:00,705 ‐ By the way, you know, I'm doing Vegas. 530 00:18:00,705 --> 00:18:01,956 ‐ Oh, I saw that. ‐ Vegas, I know. 531 00:18:01,956 --> 00:18:03,291 ‐ Congratulations, baby. ‐ Yeah, thanks, babe. 532 00:18:03,291 --> 00:18:04,458 I know‐‐you have inspired me to do that. 533 00:18:04,458 --> 00:18:05,585 ‐ Thank you. ‐ Yeah. 534 00:18:05,585 --> 00:18:06,752 ‐ I was like, "She had a good time." 535 00:18:06,752 --> 00:18:08,754 ‐ I did. It was a good time for me. 536 00:18:08,754 --> 00:18:10,881 ‐ It gives you momentum. Like, you're already sharp. 537 00:18:10,881 --> 00:18:13,217 ‐ If you do it the right way. ‐ Yeah. 538 00:18:13,217 --> 00:18:14,844 ‐ You got to get people there. 539 00:18:14,844 --> 00:18:16,387 You've got to‐‐ you know what I mean? 540 00:18:16,387 --> 00:18:18,389 ‐ I was there at your Christmas show 541 00:18:18,389 --> 00:18:19,515 when you hurt your leg. ‐ Oh, yeah. 542 00:18:19,515 --> 00:18:20,933 When I pulled my hamstring? 543 00:18:20,933 --> 00:18:22,768 ‐ At the beginning of the show. ‐ The first routine. 544 00:18:22,768 --> 00:18:24,437 ‐ And I'm like, "Oh, my God. How are you gonna do this?" 545 00:18:24,437 --> 00:18:26,731 ‐ I snapped my hamstring, and I just went down, pop, 546 00:18:26,731 --> 00:18:28,107 and it went... [clicks tongue] 547 00:18:28,107 --> 00:18:30,776 I had to keep going, and I ran offstage, 548 00:18:30,776 --> 00:18:33,279 wrapped my leg up with tape, and just kept going. 549 00:18:33,279 --> 00:18:34,947 It was, like, the worst day ever. 550 00:18:34,947 --> 00:18:36,741 [chuckles] ‐ And you pulled it off. 551 00:18:36,741 --> 00:18:38,242 And I gotta say, I was impressed as hell 552 00:18:38,242 --> 00:18:39,452 with you that day. I really and truly was. 553 00:18:39,452 --> 00:18:40,620 ‐ Thanks, man. 554 00:18:40,620 --> 00:18:41,787 ‐ I don't know if I would've been as strong. 555 00:18:41,787 --> 00:18:43,080 ‐ Yeah. 556 00:18:43,080 --> 00:18:44,290 ‐ I might've been like, "Hey, we're gonna do this 557 00:18:44,290 --> 00:18:45,499 in a week." ‐ In another time. 558 00:18:45,499 --> 00:18:46,500 ‐ So for the moment, just hang out here. 559 00:18:46,500 --> 00:18:47,710 ‐ Okay. 560 00:18:47,710 --> 00:18:48,711 ‐ Once we're good, Claire will bring you inside. 561 00:18:48,711 --> 00:18:50,129 ‐ Who next? Who next? 562 00:18:50,129 --> 00:18:51,964 ‐ Good luck. ‐ Thank you so much. 563 00:18:51,964 --> 00:18:53,299 ‐ CBAction. 564 00:18:53,299 --> 00:18:54,925 ‐ You're good to go. ‐ And in you go, in you go. 565 00:18:54,925 --> 00:18:57,470 [upbeat music] 566 00:18:57,470 --> 00:18:58,929 ‐ Whoo‐hoo, whoo. ‐ Hello. 567 00:18:58,929 --> 00:19:00,222 ‐ 'Sup, fellas? ‐ What up? 568 00:19:00,222 --> 00:19:02,767 ‐ Oh, my God. ‐ Surprise. 569 00:19:02,767 --> 00:19:04,268 ‐ How we feeling? How we feeling? 570 00:19:04,268 --> 00:19:05,478 ‐ You all right? ‐ Yeah. 571 00:19:05,478 --> 00:19:08,314 [laughter] 572 00:19:08,314 --> 00:19:10,274 ‐ Where you from? ‐ We are from Argentina. 573 00:19:10,274 --> 00:19:12,234 ‐ Argentina. ‐ Córdoba, Argentina. 574 00:19:12,234 --> 00:19:13,486 ‐ Oh, nice, nice. 575 00:19:13,486 --> 00:19:15,446 ‐ We were not expecting this at all. 576 00:19:15,446 --> 00:19:16,572 ‐ I love it. ‐ At all. 577 00:19:16,572 --> 00:19:17,823 ‐ You know what I love about Latinos? 578 00:19:17,823 --> 00:19:20,785 They're so emotional. They're so emotional. 579 00:19:20,785 --> 00:19:22,411 ‐ It's a real honor to be here. 580 00:19:22,411 --> 00:19:25,164 Maybe you don't know, but one of our friends 581 00:19:25,164 --> 00:19:27,833 broke his knee yesterday, 582 00:19:27,833 --> 00:19:30,836 so his dream was to be here with you guys, 583 00:19:30,836 --> 00:19:32,505 and we were... 584 00:19:34,674 --> 00:19:37,843 Waiting to see you in the second round, 585 00:19:37,843 --> 00:19:41,347 not now because he would definitely love 586 00:19:41,347 --> 00:19:45,643 to see you guys, and that's why we came from so far. 587 00:19:45,643 --> 00:19:48,646 [upbeat music] 588 00:19:48,646 --> 00:19:50,356 ♪ ♪ 589 00:19:50,356 --> 00:19:51,357 ‐ We are... 590 00:19:51,357 --> 00:19:52,525 [together] CBAction! 591 00:19:52,525 --> 00:19:54,110 ‐ A street dance group from... 592 00:19:54,110 --> 00:19:55,486 [together] Argentina! 593 00:19:55,486 --> 00:19:58,447 ♪ ♪ 594 00:19:58,447 --> 00:20:00,324 ‐ How long have you been dancing? 595 00:20:00,324 --> 00:20:02,952 ‐ We have been dancing together for more than ten years. 596 00:20:02,952 --> 00:20:04,870 ‐ So you're like brothers. ‐ Yeah, absolutely. 597 00:20:04,870 --> 00:20:06,038 ‐ This is family. ‐ It's family. 598 00:20:06,038 --> 00:20:07,081 ‐ Yeah. 599 00:20:07,081 --> 00:20:08,207 [soft dramatic music] 600 00:20:08,207 --> 00:20:10,376 ‐ We were rehearsing. 601 00:20:10,376 --> 00:20:12,545 Frederico was doing a flip. 602 00:20:12,545 --> 00:20:15,214 ♪ ♪ 603 00:20:15,214 --> 00:20:18,300 ‐ [speaking Spanish] 604 00:20:45,578 --> 00:20:49,415 ‐ We are four now, and we know that's going to be really hard. 605 00:20:57,214 --> 00:20:59,717 We are feeling frustrated. We are feeling tired. 606 00:20:59,717 --> 00:21:03,095 But we know we have a really big responsibility. 607 00:21:03,095 --> 00:21:06,390 Just being in "World of Dance." It's a dream. 608 00:21:06,390 --> 00:21:09,101 These kind of things never happen in Argentina, 609 00:21:09,101 --> 00:21:12,897 so we are gonna give our best for us, for our families, 610 00:21:12,897 --> 00:21:14,940 for all the dancers from South America, 611 00:21:14,940 --> 00:21:18,444 and we need to do this for Frederico. 612 00:21:18,444 --> 00:21:19,945 ‐ Andale. ‐ Let's go. 613 00:21:19,945 --> 00:21:21,113 We'll be back. 614 00:21:21,113 --> 00:21:23,574 ♪ ♪ 615 00:21:23,574 --> 00:21:25,743 It was a long night. We were‐‐ 616 00:21:25,743 --> 00:21:27,703 ‐ We were rehearsing, like, a lot of hours 617 00:21:27,703 --> 00:21:29,497 to make changes for today. 618 00:21:29,497 --> 00:21:30,956 ‐ He worked as hard as we did, 619 00:21:30,956 --> 00:21:32,625 so we are going to do this for him. 620 00:21:32,625 --> 00:21:33,918 ‐ Absolutely. ‐ We're excited. 621 00:21:33,918 --> 00:21:35,461 And it seems like you guys are ready. 622 00:21:35,461 --> 00:21:36,587 ‐ Yes. ‐ Let's go. 623 00:21:36,587 --> 00:21:37,963 ‐ Let's go, fellas. ‐ Let's go. 624 00:21:37,963 --> 00:21:39,965 ‐ When you lose something that you love‐‐ 625 00:21:39,965 --> 00:21:41,801 ‐ It's so depressing. ‐ The worst. 626 00:21:41,801 --> 00:21:43,803 ‐ It makes you, like, question your whole existence. 627 00:21:43,803 --> 00:21:44,804 ‐ Ugh, man. 628 00:21:44,804 --> 00:21:47,306 ‐ [speaks Spanish] 629 00:21:47,306 --> 00:21:48,724 ‐ He just said, "Smile, guys." 630 00:21:50,559 --> 00:21:52,144 [Vengaboys' "Boom Boom Boom"] 631 00:21:52,144 --> 00:21:55,147 ‐ ♪ If you're alone and you need a friend ♪ 632 00:21:55,147 --> 00:21:56,649 ‐ This song? 633 00:21:56,649 --> 00:21:59,485 ‐ ♪ Someone to make you forget your problems ♪ 634 00:21:59,485 --> 00:22:01,946 ♪ Just come along, baby, take my hand ♪ 635 00:22:01,946 --> 00:22:03,572 ‐ Hey. ‐ What? 636 00:22:03,572 --> 00:22:04,824 ‐ ♪ I'll be your lover tonight ♪ 637 00:22:04,824 --> 00:22:06,784 ‐ What? [chuckles] 638 00:22:06,784 --> 00:22:08,077 ‐ ♪ Whoa, oh, whoa, oh ♪ 639 00:22:08,077 --> 00:22:09,912 ♪ This is what I wanna do ♪ 640 00:22:09,912 --> 00:22:11,705 ♪ Whoa, oh, whoa, oh ♪ 641 00:22:11,705 --> 00:22:13,040 ♪ Let's have some fun ♪ 642 00:22:13,040 --> 00:22:14,625 ♪ Whoa, oh, whoa, oh ♪ 643 00:22:14,625 --> 00:22:15,835 ‐ Hey. ‐ [laughs] 644 00:22:15,835 --> 00:22:16,836 ‐ ♪ One on one just me and you ♪ 645 00:22:16,836 --> 00:22:18,671 ♪ Whoa, oh, whoa, oh ♪ 646 00:22:18,671 --> 00:22:20,965 ‐ The faces‐‐ ‐ ♪ Boom, boom, boom, boom ♪ 647 00:22:20,965 --> 00:22:22,508 ♪ I want you in my room ♪ 648 00:22:22,508 --> 00:22:23,843 ♪ Let's spend the night together ♪ 649 00:22:23,843 --> 00:22:26,345 ‐ Hey. ‐ ♪ From now until forever ♪ 650 00:22:26,345 --> 00:22:27,847 ♪ Boom, boom, boom, boom ♪ ‐ Hey. 651 00:22:27,847 --> 00:22:30,182 ‐ ♪ I wanna go boom, boom ♪ ‐ Hey. 652 00:22:30,182 --> 00:22:31,267 ‐ ♪ And spend the night together ♪ 653 00:22:31,267 --> 00:22:32,935 ♪ Together in my room ♪ 654 00:22:32,935 --> 00:22:35,479 ♪ ♪ 655 00:22:35,479 --> 00:22:36,772 ‐ [laughs] Let's go. 656 00:22:36,772 --> 00:22:38,107 ‐ [laughs] ‐ Oh. 657 00:22:38,107 --> 00:22:39,942 ‐ Oh. ‐ Okay. 658 00:22:39,942 --> 00:22:41,360 ♪ ♪ 659 00:22:41,360 --> 00:22:43,320 ‐ ♪ Vengaboys are back in town ♪ 660 00:22:43,320 --> 00:22:50,411 ♪ ♪ 661 00:22:54,081 --> 00:22:55,708 ♪ Let's spend the night together ♪ 662 00:22:55,708 --> 00:22:57,877 ♪ Together in my room ♪ 663 00:22:57,877 --> 00:22:59,628 ‐ [laughs] ‐ Okay, yo. 664 00:22:59,628 --> 00:23:01,505 ‐ [laughs] ‐ Yeah. 665 00:23:01,505 --> 00:23:03,382 ‐ Whoo‐hoo, oh, wow. ‐ Wait, hold up. 666 00:23:03,382 --> 00:23:04,550 I'm gonna be straight up. 667 00:23:04,550 --> 00:23:06,051 Going from hearing your guys' emotion... 668 00:23:06,051 --> 00:23:07,219 ‐ I know. ‐ Hearing you talk. 669 00:23:07,219 --> 00:23:08,304 And then straight up... 670 00:23:08,304 --> 00:23:09,722 ♪ Boom, boom, boom ♪ 671 00:23:09,722 --> 00:23:11,849 I was like, "Wait, whoa, we're changing gears real fast." 672 00:23:11,849 --> 00:23:13,559 ‐ That was a dope contrast. I like that. 673 00:23:13,559 --> 00:23:14,685 ‐ Thank you. ‐ Yes. 674 00:23:14,685 --> 00:23:16,896 It was very funny and entertaining, 675 00:23:16,896 --> 00:23:18,981 and there was some good, like, little, you know, 676 00:23:18,981 --> 00:23:21,567 kind of moments as far as, like, the choreography 677 00:23:21,567 --> 00:23:23,819 and different formations that you guys did. 678 00:23:23,819 --> 00:23:25,529 It moved around. It felt good to me. 679 00:23:25,529 --> 00:23:26,697 ‐ I'ma be straight up. 680 00:23:26,697 --> 00:23:29,575 When that song started, I was like, "No!" 681 00:23:29,575 --> 00:23:30,910 [laughter] 682 00:23:30,910 --> 00:23:33,913 But what you guys did to it, made me, like, love it, 683 00:23:33,913 --> 00:23:36,582 especially since you guys had to make changes last minute. 684 00:23:36,582 --> 00:23:37,958 ‐ Yeah, had you not said anything, 685 00:23:37,958 --> 00:23:39,251 we'd have never known. ‐ Is he here? 686 00:23:39,251 --> 00:23:40,544 ‐ Yeah. ‐ Yeah. 687 00:23:40,544 --> 00:23:42,338 ‐ Oh, here he is! ‐ Hey! 688 00:23:42,338 --> 00:23:43,672 ‐ Hey. ‐ What's up, man? 689 00:23:43,672 --> 00:23:45,257 [applause] 690 00:23:45,257 --> 00:23:46,884 ‐ Hello. ‐ How are you, brother? 691 00:23:46,884 --> 00:23:48,928 ‐ Man, oh. ‐ Aw. 692 00:23:48,928 --> 00:23:50,095 ‐ It's all right. It's all right. 693 00:23:50,095 --> 00:23:51,096 We holding it together. ‐ Hi. 694 00:23:51,096 --> 00:23:52,222 ‐ We good. We good. 695 00:23:52,222 --> 00:23:53,515 ‐ This must have been 696 00:23:53,515 --> 00:23:55,059 a really, really hard situation for you guys. 697 00:23:55,059 --> 00:23:56,727 I'm really sorry about that. 698 00:23:56,727 --> 00:23:57,728 [Ben Platt's "RAIN"] 699 00:23:57,728 --> 00:23:58,896 I'm really sorry about that. 700 00:23:58,896 --> 00:24:00,105 ‐ You should be really, really proud 701 00:24:00,105 --> 00:24:01,774 of your brothers here, man. They did right by you. 702 00:24:01,774 --> 00:24:03,776 Absolutely. ‐ Thank you so much. 703 00:24:03,776 --> 00:24:06,111 ‐ All right, guys, we've already seen 704 00:24:06,111 --> 00:24:07,613 some really great dancers today, 705 00:24:07,613 --> 00:24:11,241 so we know that this season's gonna be incredibly difficult. 706 00:24:11,241 --> 00:24:14,787 Okay, this is not just you in your studios 707 00:24:14,787 --> 00:24:16,956 or doing your shows for fun. 708 00:24:16,956 --> 00:24:19,166 These are the best dancers in the world, 709 00:24:19,166 --> 00:24:21,293 and that's who you're gonna be competing against. 710 00:24:21,293 --> 00:24:22,461 ‐ That's the thing too. 711 00:24:22,461 --> 00:24:23,921 It's not, like, not liking something... 712 00:24:23,921 --> 00:24:25,130 ‐ Yeah. ‐ Or enjoying something. 713 00:24:25,130 --> 00:24:26,215 We have to pick it apart and be, like, 714 00:24:26,215 --> 00:24:28,801 "Okay, is this gonna be, you know, worthy 715 00:24:28,801 --> 00:24:32,137 of the next round," so‐‐ ‐ Is this gonna wow America? 716 00:24:32,137 --> 00:24:34,473 ‐ Ne‐Yo, what'd you think? 717 00:24:34,473 --> 00:24:36,976 ‐ For me, it's a callback. 718 00:24:36,976 --> 00:24:38,268 ‐ ♪ It keeps on breaking and breaking ♪ 719 00:24:38,268 --> 00:24:39,603 ‐ Derek, what'd you think? 720 00:24:39,603 --> 00:24:41,438 ‐ It's gonna be... 721 00:24:41,438 --> 00:24:44,108 ‐ ♪ Open and open and open and open and open ♪ 722 00:24:44,108 --> 00:24:45,818 ‐ It's gonna be a callback for me. 723 00:24:45,818 --> 00:24:47,319 ‐ We wanna see what you can do 724 00:24:47,319 --> 00:24:50,906 maybe with a little bit less trauma attached to everything. 725 00:24:50,906 --> 00:24:52,992 ‐ Congrats, guys, well done, Well done. 726 00:24:52,992 --> 00:24:54,660 Good job, man. ‐ Gracias. 727 00:24:54,660 --> 00:24:55,911 ‐ Thank you so much. 728 00:24:55,911 --> 00:24:57,329 ‐ Muchas gracias. ‐ Muchas gracias. 729 00:24:57,329 --> 00:24:59,206 ‐ Thank you. 730 00:24:59,206 --> 00:25:00,791 I love you guys. Thank you. 731 00:25:00,791 --> 00:25:02,167 ♪ ♪ 732 00:25:02,167 --> 00:25:04,336 ‐ This accident changed everything, 733 00:25:04,336 --> 00:25:05,671 and we have a second chance. 734 00:25:05,671 --> 00:25:07,089 We are gonna use that opportunity 735 00:25:07,089 --> 00:25:08,799 and give our best shot. 736 00:25:15,848 --> 00:25:18,559 ‐ ♪ We're dancing under the rain ♪ 737 00:25:26,533 --> 00:25:27,603 [punchy music] 738 00:25:28,485 --> 00:25:30,612 ‐ Thanks Derek, thank you. ‐ Love you, bye. 739 00:25:30,612 --> 00:25:32,031 ‐ Great. 740 00:25:32,031 --> 00:25:35,534 ♪ ♪ 741 00:25:35,534 --> 00:25:40,539 ‐ ♪ Ne‐Yo ♪ 742 00:25:42,875 --> 00:25:44,043 ‐ What am I wearing? 743 00:25:44,043 --> 00:25:45,127 ‐ Yeah, what're you gonna wear? 744 00:25:45,127 --> 00:25:48,505 ‐ I'm gonna wear pants and a shirt! 745 00:25:48,505 --> 00:25:49,506 ‐ Innovative. 746 00:25:49,506 --> 00:25:50,716 ‐ What're you wearing today? 747 00:25:50,716 --> 00:25:53,719 ‐ I am wearing something immaculate, 748 00:25:53,719 --> 00:25:55,888 decadence at all times. 749 00:25:55,888 --> 00:25:58,057 ‐ I don't think I have decadence in my wardrobe. 750 00:25:58,057 --> 00:25:59,725 ♪ ♪ 751 00:25:59,725 --> 00:26:01,602 [dramatic music] 752 00:26:05,314 --> 00:26:06,732 ♪ ♪ 753 00:26:06,732 --> 00:26:08,025 ‐ I think we just can prove 754 00:26:08,025 --> 00:26:09,359 that it doesn't matter where you come from. 755 00:26:09,359 --> 00:26:11,403 You can become anything you want. 756 00:26:11,403 --> 00:26:14,990 ‐ It is absolutely a privilege to make it to this stage. 757 00:26:14,990 --> 00:26:16,075 ‐ Love you guys. ‐ I love you. 758 00:26:16,075 --> 00:26:17,159 ‐ Love you. ‐ Love you guys so much. 759 00:26:17,159 --> 00:26:18,577 We got this. Give it your all. 760 00:26:18,577 --> 00:26:20,913 ‐ You have to live this moment to its fullest. 761 00:26:20,913 --> 00:26:23,082 You have to make this moment magic. 762 00:26:23,082 --> 00:26:24,083 [laughter] 763 00:26:24,083 --> 00:26:26,043 ‐ Hi‐‐what's up? ‐ Oh, my God. 764 00:26:26,043 --> 00:26:27,586 ‐ There's such an energy. Look at the energy. 765 00:26:27,586 --> 00:26:29,588 ‐ Oh, my God. ‐ J‐Lo. 766 00:26:29,588 --> 00:26:32,341 ‐ Yes? ‐ I love you! 767 00:26:32,341 --> 00:26:33,592 [laughter] 768 00:26:33,592 --> 00:26:35,427 It's okay, I've spoken‐‐ can I have a hug? 769 00:26:35,427 --> 00:26:36,887 ‐ Yes, of course. ‐ Oh! 770 00:26:36,887 --> 00:26:37,888 ‐ Oh, yeah. 771 00:26:37,888 --> 00:26:39,223 [Selena Gomez's "Dance Again"] 772 00:26:39,223 --> 00:26:40,933 ‐ ♪ To dance again ♪ 773 00:26:40,933 --> 00:26:42,851 ‐ Aw, love. ‐ My girl, aww. 774 00:26:42,851 --> 00:26:44,770 ‐ ♪ Feels so good ♪ 775 00:26:44,770 --> 00:26:46,563 ‐ I love you too, man. ‐ I love you too, buddy. 776 00:26:46,563 --> 00:26:47,564 ‐ Love you. 777 00:26:47,564 --> 00:26:49,066 ‐ ♪ I'm feeling ♪ 778 00:26:49,066 --> 00:26:51,902 ♪ Ooh, ooh ♪ 779 00:26:51,902 --> 00:26:53,904 ‐ You're all strong dancers... 780 00:26:53,904 --> 00:26:55,030 ‐ ♪ Ooh ♪ 781 00:26:55,030 --> 00:26:56,740 I wanna see what else you guys have. 782 00:26:56,740 --> 00:26:58,117 ‐ ♪ Dance again ♪ 783 00:26:58,117 --> 00:26:59,618 ‐ I'm gonna give you a callback. 784 00:26:59,618 --> 00:27:02,121 ‐ Take advantage of that, okay? ‐ Okay, thank you so much. 785 00:27:02,121 --> 00:27:06,625 ‐ This is traditional audition stuff that you get. 786 00:27:06,625 --> 00:27:08,961 You know, either you get hired or you don't, 787 00:27:08,961 --> 00:27:10,963 but sometimes you get a callback. 788 00:27:10,963 --> 00:27:12,256 Congratulations, we'll see you at the callbacks. 789 00:27:12,256 --> 00:27:13,257 ‐ Congrats, ladies. ‐ Thank you. 790 00:27:13,257 --> 00:27:14,383 ‐ Good job. ‐ Bye. 791 00:27:14,383 --> 00:27:15,551 ‐ In my own career, 792 00:27:15,551 --> 00:27:17,928 like, I got five callbacks for "Selena" 793 00:27:17,928 --> 00:27:19,972 before I got to even screen test. 794 00:27:19,972 --> 00:27:22,766 It's just part of the hiring process. 795 00:27:27,104 --> 00:27:30,107 ‐ ♪ With my emotions undressed I'm going in ♪ 796 00:27:30,107 --> 00:27:31,149 ‐ The question is, is, like, 797 00:27:31,149 --> 00:27:33,151 is it enough for "World of Dance"? 798 00:27:33,151 --> 00:27:35,612 ‐ I'm gonna have to say it's a no for me. 799 00:27:35,612 --> 00:27:36,989 ‐ ♪ Feels so, feels so, feels so good ♪ 800 00:27:36,989 --> 00:27:38,949 ‐ I say come back next year... ‐ Yes. 801 00:27:38,949 --> 00:27:40,158 ‐ Polish it up and bring it back. 802 00:27:40,158 --> 00:27:41,493 ‐ I'd love to see you guys back next year. 803 00:27:41,493 --> 00:27:42,619 ‐ Okay. 804 00:27:42,619 --> 00:27:43,996 ‐ We're always rooting for everybody. 805 00:27:43,996 --> 00:27:46,999 It's not like we want people to lose or do badly 806 00:27:46,999 --> 00:27:48,709 or have to critique them. ‐ Hi. 807 00:27:48,709 --> 00:27:50,085 ‐ That's part of being a judge. 808 00:27:50,085 --> 00:27:52,629 What we really want is to see magic happen 809 00:27:52,629 --> 00:27:53,922 right before our eyes. 810 00:27:53,922 --> 00:27:56,008 That's what we're hoping for every single time. 811 00:27:56,008 --> 00:27:57,843 ‐ Feeling pretty good about yourself? 812 00:27:57,843 --> 00:27:59,094 ‐ Yeah, I'm feeling great. ‐ It's your lucky day? 813 00:27:59,094 --> 00:28:00,512 ‐ Yes. ‐ Let's do it. 814 00:28:00,512 --> 00:28:03,015 ♪ ♪ 815 00:28:03,015 --> 00:28:06,351 ‐ We see you can dance. You can do tricks. 816 00:28:06,351 --> 00:28:09,313 You look great on camera. 817 00:28:09,313 --> 00:28:11,148 ‐ ♪ Feels so, feels so, feels so good ♪ 818 00:28:11,148 --> 00:28:13,150 ‐ I don't know that it was a good act audition. 819 00:28:14,359 --> 00:28:16,528 ‐ I would have to say it's gonna be a no for me today. 820 00:28:16,528 --> 00:28:17,613 ‐ Okay. 821 00:28:20,282 --> 00:28:22,200 ‐ ♪ I'm going in ♪ 822 00:28:22,200 --> 00:28:23,702 ‐ You got so smiley all of a sudden. 823 00:28:23,702 --> 00:28:24,953 ‐ What are you talking about? I'm‐‐ 824 00:28:24,953 --> 00:28:26,246 ‐ [laughs] 825 00:28:26,246 --> 00:28:28,498 ‐ ♪ Feels so, feels so, feels so good ♪ 826 00:28:28,498 --> 00:28:29,917 ‐ So here's what I think. 827 00:28:29,917 --> 00:28:33,045 The shoes are high, and I feel like it got in the way. 828 00:28:33,045 --> 00:28:34,713 ‐ ♪ Ooh ♪ 829 00:28:34,713 --> 00:28:37,215 ‐ I just don't know if it's ready for "World of Dance." 830 00:28:37,215 --> 00:28:38,800 ‐ Hmm, we can have 'em come back 831 00:28:38,800 --> 00:28:40,385 with a little bit lower shoe 832 00:28:40,385 --> 00:28:42,721 and see if they‐‐ what they can do. 833 00:28:42,721 --> 00:28:44,056 It's up to you, though. 834 00:28:44,056 --> 00:28:45,891 ‐ ♪ Feels so, feels so, feels so good ♪ 835 00:28:45,891 --> 00:28:47,517 ‐ Okay, it's a callback. ‐ Ooh! 836 00:28:47,517 --> 00:28:48,560 ‐ Yeah, guy. ‐ Thank you. 837 00:28:48,560 --> 00:28:49,895 ‐ You have a callback. ‐ Thank you. 838 00:28:49,895 --> 00:28:52,230 ‐ Sometimes people in a first audition, 839 00:28:52,230 --> 00:28:54,900 they don't do their best, but they have something, 840 00:28:54,900 --> 00:28:56,818 and when you have that callback, 841 00:28:56,818 --> 00:28:59,655 it's a real second chance at life. 842 00:28:59,655 --> 00:29:02,407 [together] Three, two, one, P, two, one! 843 00:29:02,407 --> 00:29:04,159 Whoo! 844 00:29:04,159 --> 00:29:05,994 ‐ ♪ Dance again ♪ 845 00:29:05,994 --> 00:29:08,121 ♪ ♪ 846 00:29:08,121 --> 00:29:09,247 ‐ I was waiting on you to give me 847 00:29:09,247 --> 00:29:10,290 something with the hat. 848 00:29:11,458 --> 00:29:13,752 ‐ Oh, my goodness. Look at this. 849 00:29:13,752 --> 00:29:15,587 Keep dancing, keep doing what you're doing 850 00:29:15,587 --> 00:29:17,589 because you're gonna go far, my man. 851 00:29:17,589 --> 00:29:19,591 You're gonna go very far. 852 00:29:19,591 --> 00:29:21,843 ‐ Hey. ‐ Not bad, nice, nice, nice. 853 00:29:21,843 --> 00:29:23,762 ‐ I don't know if you're completely ready 854 00:29:23,762 --> 00:29:25,931 for "World of Dance" yet. 855 00:29:25,931 --> 00:29:28,100 I know that you will be. ‐ Thank you. 856 00:29:28,100 --> 00:29:29,226 ‐ Thank you. ‐ Thank you, brother. 857 00:29:29,226 --> 00:29:30,769 ‐ Bye. 858 00:29:30,769 --> 00:29:33,063 ‐ Just needs a little more work. 859 00:29:33,063 --> 00:29:35,399 ‐ Stand by, ladies. 860 00:29:35,399 --> 00:29:36,441 ‐ Next. ‐ Love it. 861 00:29:36,441 --> 00:29:38,610 ‐ What's‐‐what is next? 862 00:29:38,610 --> 00:29:40,779 ‐ Hi. ‐ Ladies! 863 00:29:40,779 --> 00:29:42,114 ‐ Look at‐‐ ‐ How we doing? 864 00:29:42,114 --> 00:29:43,240 ‐ What? ‐ Look at‐‐ 865 00:29:44,366 --> 00:29:45,534 ‐ How do you feel? 866 00:29:45,534 --> 00:29:46,743 [together] A little nervous. 867 00:29:46,743 --> 00:29:48,286 ‐ Nervous. ‐ Quick question. 868 00:29:48,286 --> 00:29:49,788 who's your favorite judge? Be honest. 869 00:29:49,788 --> 00:29:52,165 ‐ Um... ‐ We all love you. 870 00:29:52,165 --> 00:29:53,750 ‐ Aww. ‐ Oh. 871 00:29:53,750 --> 00:29:56,461 It's a yes from me, so congratulations. 872 00:29:56,461 --> 00:29:57,796 ‐ Yeah. 873 00:29:57,796 --> 00:30:00,924 ‐ ♪ Na, na, na, na, na, na ♪ ‐ Okay. 874 00:30:00,924 --> 00:30:05,721 ‐ ♪ Na, na, na, na, na, na, na, na, na, na, na, na ♪ 875 00:30:05,721 --> 00:30:07,139 ‐ All right, roll off. 876 00:30:07,139 --> 00:30:08,640 ‐ ♪ If I was a rich girl ♪ 877 00:30:08,640 --> 00:30:10,934 ♪ Na, na, na, na, na, na, na, na, na, na, na, na ♪ 878 00:30:10,934 --> 00:30:12,394 ‐ Hey. 879 00:30:12,394 --> 00:30:13,603 ‐ ♪ See, I'd have all the money in the world ♪ 880 00:30:13,603 --> 00:30:14,646 ‐ Hey, hey. 881 00:30:14,646 --> 00:30:17,941 ‐ ♪ If I was a wealthy girl ♪ 882 00:30:17,941 --> 00:30:20,569 ♪ Think what that money could bring ♪ 883 00:30:20,569 --> 00:30:22,821 ♪ I'd buy everything ♪ 884 00:30:22,821 --> 00:30:25,323 ♪ Clean out Vivienne Westwood ♪ 885 00:30:25,323 --> 00:30:27,826 ♪ In my Galliano gown ♪ 886 00:30:27,826 --> 00:30:29,828 ♪ Come together all over the world ♪ 887 00:30:29,828 --> 00:30:32,372 ♪ From the hood to Japan, Harajuku Girls ♪ 888 00:30:32,372 --> 00:30:33,707 ♪ What? It's all love ♪ 889 00:30:33,707 --> 00:30:34,875 ♪ What? Give it up ♪ 890 00:30:34,875 --> 00:30:35,876 ♪ What? Shouldn't matter ♪ 891 00:30:35,876 --> 00:30:37,169 ♪ Shouldn't matter ♪ 892 00:30:37,169 --> 00:30:38,170 ♪ Shouldn't matter, shouldn't matter ♪ 893 00:30:38,170 --> 00:30:39,629 ‐ ♪ What? ♪ ‐ Ooh. 894 00:30:39,629 --> 00:30:41,131 ‐ ♪ Come together all over the world ♪ 895 00:30:41,131 --> 00:30:42,299 ♪ From the hood to Japan, Harajuku Girls ♪ 896 00:30:42,299 --> 00:30:43,675 ♪ What? Shouldn't matter ♪ 897 00:30:43,675 --> 00:30:44,760 ♪ Shouldn't matter, shouldn't matter ♪ 898 00:30:44,760 --> 00:30:46,136 ♪ What? ♪ 899 00:30:46,136 --> 00:30:47,345 ‐ You guys are like‐‐ you guys are strong. 900 00:30:47,345 --> 00:30:48,847 I feel like every move that you guys make 901 00:30:48,847 --> 00:30:50,432 is very, very intentional. 902 00:30:50,432 --> 00:30:52,976 ‐ I dug the contrast between the soft and the strong. 903 00:30:52,976 --> 00:30:54,186 It's like they give you‐‐ they give you girly, 904 00:30:54,186 --> 00:30:55,187 and then, all of a sudden, 905 00:30:55,187 --> 00:30:56,271 it's‐‐ [growls] 906 00:30:56,271 --> 00:30:57,439 ‐ Yeah. ‐ You know what I mean? 907 00:30:57,439 --> 00:30:58,648 It's both. I like that. 908 00:30:58,648 --> 00:31:00,776 ‐ I like the energy that you guys have. 909 00:31:00,776 --> 00:31:03,278 I wasn't sure about the choreography. 910 00:31:03,278 --> 00:31:05,030 I feel like, as good as you guys danced, 911 00:31:05,030 --> 00:31:07,199 it could've been better. ‐ Okay. 912 00:31:07,199 --> 00:31:09,451 ‐ I'm curious to see if there's a stronger routine in there. 913 00:31:09,451 --> 00:31:11,286 ‐ I would say callback. 914 00:31:11,286 --> 00:31:12,871 ‐ I'm thinking it's gonna be a callback. 915 00:31:12,871 --> 00:31:14,372 ‐ So we got a callback, all right. 916 00:31:14,372 --> 00:31:15,415 [together] Thank you. 917 00:31:15,415 --> 00:31:17,709 [upbeat music] 918 00:31:17,709 --> 00:31:19,503 ‐ I think that we give them another shot. 919 00:31:19,503 --> 00:31:20,712 We see what else they got. 920 00:31:20,712 --> 00:31:23,048 ‐ I'm very grateful to get the callback 921 00:31:23,048 --> 00:31:25,634 because I wanna show them that we're gonna bring 922 00:31:25,634 --> 00:31:28,678 the fire next time in every aspect of it. 923 00:31:28,678 --> 00:31:31,306 ‐ My girl. The fire. 924 00:31:31,306 --> 00:31:33,058 ‐ I'm looking forward to seeing what they do next though. 925 00:31:33,058 --> 00:31:34,184 ‐ You know what I mean? ‐ Yeah. 926 00:31:34,184 --> 00:31:35,519 ‐ Like, I look forward to it, okay. 927 00:31:35,519 --> 00:31:38,313 ‐ ♪ Love at the speed of sound ♪ 928 00:31:38,313 --> 00:31:41,399 ♪ ♪ 929 00:31:48,156 --> 00:31:49,668 ‐ Hey, can I run to the restroom? 930 00:31:50,242 --> 00:31:51,326 'Cause I'm gonna get 931 00:31:51,326 --> 00:31:52,744 real fidgety and weird if I don't. 932 00:31:52,744 --> 00:31:54,579 ‐ Is there a bathroom close by for Ne‐Yo? 933 00:31:54,579 --> 00:31:56,206 ‐ I'm gonna speed my way back. 934 00:31:56,206 --> 00:31:57,624 ‐ ♪ I can't fight this feeling any longer ♪ 935 00:31:57,624 --> 00:31:59,000 ‐ Are we taking a little time? ‐ Yes. 936 00:31:59,000 --> 00:32:00,418 ‐ Taking five. ‐ Good, 'cause I gotta pee. 937 00:32:00,418 --> 00:32:01,753 [REO Speedwagon's "Can't Fight This Feeling]" 938 00:32:01,753 --> 00:32:05,423 ‐ I have the bladder of a six‐year‐old girl. 939 00:32:05,423 --> 00:32:07,259 ‐ He pees all the time. 940 00:32:07,259 --> 00:32:08,885 ‐ Actually that made me gotta go pee right now. 941 00:32:08,885 --> 00:32:10,262 I'll be right back. ‐ God, I gotta pee too. 942 00:32:10,262 --> 00:32:11,513 ‐ Oh, my God. ‐ Do we have time? 943 00:32:11,513 --> 00:32:14,266 ‐ How are you not the one going to the bathroom? 944 00:32:14,266 --> 00:32:16,101 ‐ I'm a different breed. 945 00:32:16,101 --> 00:32:19,104 [soft rock music] 946 00:32:19,104 --> 00:32:22,440 ♪ ♪ 947 00:32:22,440 --> 00:32:24,276 ‐ My name's Kurtis Sprung, 948 00:32:24,276 --> 00:32:25,402 and I am a contemporary dancer 949 00:32:25,402 --> 00:32:26,945 from Caroga Lake, New York. 950 00:32:26,945 --> 00:32:30,782 ‐ ♪ So what in the world I am running from ♪ 951 00:32:30,782 --> 00:32:32,576 ♪ Running from something ♪ 952 00:32:32,576 --> 00:32:34,077 ‐ I grew up in a small town, 953 00:32:34,077 --> 00:32:35,620 and when I say small, I mean small. 954 00:32:35,620 --> 00:32:37,122 We didn't get cell phone service 955 00:32:37,122 --> 00:32:40,000 till I was about 18, which is almost nine years ago, 956 00:32:40,000 --> 00:32:42,961 and even now, I go home, and I still have one bar. 957 00:32:42,961 --> 00:32:44,254 It's a beautiful town. 958 00:32:44,254 --> 00:32:45,630 I don't wanna take anything away from the town 959 00:32:45,630 --> 00:32:47,549 or the people because a lot of those people raised me. 960 00:32:47,549 --> 00:32:48,967 [BANNERS' "Got It In You"] 961 00:32:48,967 --> 00:32:51,720 However, for me, growing up as a male dancer in the area 962 00:32:51,720 --> 00:32:53,972 I grew up in was pretty hard. 963 00:32:53,972 --> 00:32:56,308 Some of the kids that I had to grow up with were not so good. 964 00:32:56,308 --> 00:32:58,310 ‐ ♪ You can't tell that you're bigger ♪ 965 00:32:58,310 --> 00:33:00,645 ♪ Than the sea that you're sinking in ♪ 966 00:33:00,645 --> 00:33:01,730 ‐ You grow up in a small town. 967 00:33:01,730 --> 00:33:02,939 Everybody knows you're a dancer. 968 00:33:02,939 --> 00:33:04,149 You grow up in a blue‐collar town, 969 00:33:04,149 --> 00:33:05,483 you're not supposed to be dancing. 970 00:33:05,483 --> 00:33:07,652 As a kid I was bullied a lot for being a dancer 971 00:33:07,652 --> 00:33:09,070 on the bus every morning. 972 00:33:09,070 --> 00:33:11,448 ‐ ♪ When the lights go out ♪ 973 00:33:11,448 --> 00:33:13,992 ♪ And leave you standing in the dark ♪ 974 00:33:13,992 --> 00:33:16,661 ‐ One or two specific kids would choke me out 975 00:33:16,661 --> 00:33:19,039 until I would pass out on the bus. 976 00:33:19,039 --> 00:33:20,540 ♪ ♪ 977 00:33:20,540 --> 00:33:23,460 And then it went to verbal abuse as I got older. 978 00:33:23,460 --> 00:33:27,464 ‐ ♪ I know you think your fire is burning out ♪ 979 00:33:27,464 --> 00:33:29,841 ‐ And all of a sudden, there were no more friends around me. 980 00:33:29,841 --> 00:33:31,676 ♪ ♪ 981 00:33:31,676 --> 00:33:33,762 It was hard being attacked for being a dancer, 982 00:33:33,762 --> 00:33:35,180 for doing what you truly love. 983 00:33:35,180 --> 00:33:38,016 So I would just think maybe everybody is right. 984 00:33:39,851 --> 00:33:41,353 Yeah. 985 00:33:41,353 --> 00:33:46,024 ‐ ♪ No one ever told you this would be so hard ♪ 986 00:33:46,024 --> 00:33:49,986 ‐ But dance also saved me. 987 00:33:49,986 --> 00:33:52,364 Dance was the escape from the bullying. 988 00:33:52,364 --> 00:33:55,533 There was a release of emotion 'cause, at that point in time, 989 00:33:55,533 --> 00:33:57,202 I didn't know how to speak for myself, 990 00:33:57,202 --> 00:33:59,537 so dance was a way I could express my words. 991 00:33:59,537 --> 00:34:03,500 ♪ ♪ 992 00:34:03,500 --> 00:34:06,044 ‐ All right, stand by, Kurtis. 993 00:34:06,044 --> 00:34:07,712 ‐ Now I'm here because I'm a fighter, 994 00:34:07,712 --> 00:34:09,714 and that little kid from Caroga Lake 995 00:34:09,714 --> 00:34:11,716 who took all that abuse growing up‐‐ 996 00:34:11,716 --> 00:34:13,051 it's time to release all that 997 00:34:13,051 --> 00:34:14,636 and really show the world who I am. 998 00:34:14,636 --> 00:34:16,054 ‐ Is this the last? ‐ This is it. 999 00:34:16,054 --> 00:34:17,389 ‐ This is the last, okay. 1000 00:34:17,389 --> 00:34:18,723 ‐ And in you go. 1001 00:34:18,723 --> 00:34:20,392 ♪ ♪ 1002 00:34:20,392 --> 00:34:22,352 ‐ ♪ You got it in you ♪ 1003 00:34:22,352 --> 00:34:24,646 ♪ ♪ 1004 00:34:24,646 --> 00:34:25,647 ‐ Oh, hey, guys. ‐ What up? 1005 00:34:25,647 --> 00:34:26,731 ‐ Hey, what's up, man? ‐ Hey. 1006 00:34:26,731 --> 00:34:27,857 ‐ How are you? ‐ How you guys doing? 1007 00:34:27,857 --> 00:34:28,900 ‐ How you doing? ‐ Good, good. 1008 00:34:28,900 --> 00:34:30,235 ‐ You forgot your shirt. [chuckles] 1009 00:34:30,235 --> 00:34:31,319 ‐ Oh, yeah, I know, I just bought it. 1010 00:34:31,319 --> 00:34:32,404 I just got it, yeah. It's fresh. 1011 00:34:32,404 --> 00:34:33,989 ‐ And your shoes. ‐ And your shoes. 1012 00:34:33,989 --> 00:34:35,365 ‐ Were you expecting to see us here? 1013 00:34:35,365 --> 00:34:37,909 ‐ No, no, no, no, I walked in, I was like, 1014 00:34:37,909 --> 00:34:39,577 "Mm, good one." 1015 00:34:39,577 --> 00:34:41,246 ‐ Are you, like, one of those that, like, get, like, 1016 00:34:41,246 --> 00:34:43,623 a little nervous about things, or does it amp you up? 1017 00:34:43,623 --> 00:34:45,125 ‐ I mean, you know, I love dance, 1018 00:34:45,125 --> 00:34:46,668 and I just wanna dance, and anybody who wants to watch 1019 00:34:46,668 --> 00:34:48,420 and share it with me... ‐ You wanna dance anyway. 1020 00:34:48,420 --> 00:34:50,005 ‐ That's cool. ‐ That's dope, man. 1021 00:34:50,005 --> 00:34:51,423 ‐ That's a good answer. I like that. 1022 00:34:51,423 --> 00:34:53,133 ‐ All right, man, well, let's see what you got. 1023 00:35:01,266 --> 00:35:05,270 ‐ ♪ Bring on your forces of nature ♪ 1024 00:35:05,270 --> 00:35:07,272 ♪ ♪ 1025 00:35:07,272 --> 00:35:09,566 ♪ Mm ♪ 1026 00:35:09,566 --> 00:35:12,944 ♪ If you get lost in the shadows ♪ 1027 00:35:12,944 --> 00:35:14,404 ♪ ♪ 1028 00:35:14,404 --> 00:35:17,449 ♪ There's a fire inside you ♪ 1029 00:35:17,449 --> 00:35:18,700 ‐ All right. 1030 00:35:18,700 --> 00:35:21,453 ‐ ♪ Be the light that guides you ♪ 1031 00:35:21,453 --> 00:35:22,746 ♪ ♪ 1032 00:35:22,746 --> 00:35:24,998 ♪ Come on, carry your flame ♪ 1033 00:35:24,998 --> 00:35:26,750 ‐ Hey. 1034 00:35:26,750 --> 00:35:29,878 ‐ ♪ Carry it higher ♪ 1035 00:35:29,878 --> 00:35:32,547 ♪ Come on, carry your flame ♪ 1036 00:35:32,547 --> 00:35:33,798 ♪ ♪ 1037 00:35:33,798 --> 00:35:37,302 ♪ Set the night on fire ♪ 1038 00:35:37,302 --> 00:35:41,473 ♪ Leave it in the darkness ♪ 1039 00:35:41,473 --> 00:35:44,809 ♪ Carry your torches ♪ 1040 00:35:44,809 --> 00:35:47,312 ♪ ♪ 1041 00:35:47,312 --> 00:35:49,272 ♪ Torches ♪ 1042 00:35:49,272 --> 00:35:51,149 ♪ ♪ 1043 00:35:51,149 --> 00:35:52,817 ♪ Torches ♪ 1044 00:35:52,817 --> 00:35:54,736 ♪ ♪ 1045 00:35:54,736 --> 00:35:58,573 ♪ Torches, torches ♪ 1046 00:36:00,158 --> 00:36:01,284 ‐ Nice. ‐ Nice. 1047 00:36:01,284 --> 00:36:02,327 ‐ Nice, bro. 1048 00:36:02,327 --> 00:36:04,663 ‐ Impressive work. 1049 00:36:04,663 --> 00:36:06,998 ‐ Kurtis, my man, dude, awesome, beautiful, bro. 1050 00:36:06,998 --> 00:36:08,500 That was really, really beautiful. 1051 00:36:08,500 --> 00:36:09,959 What I love about your dancing, brother, 1052 00:36:09,959 --> 00:36:11,336 is that it's very unique. 1053 00:36:11,336 --> 00:36:14,005 It's almost, like, awkward, you know what I mean? 1054 00:36:14,005 --> 00:36:15,298 And I mean that in a positive way 1055 00:36:15,298 --> 00:36:17,342 because you do something, and momentum wants 1056 00:36:17,342 --> 00:36:19,260 to continue this way, but I noticed, 1057 00:36:19,260 --> 00:36:20,637 in moments, like, you would do something, 1058 00:36:20,637 --> 00:36:22,430 and you would fight that and do the other way. 1059 00:36:22,430 --> 00:36:23,682 ‐ Mm‐hmm. ‐ You know? 1060 00:36:23,682 --> 00:36:24,849 So it actually looked awkward in moments, 1061 00:36:24,849 --> 00:36:26,267 but in a cool way. I enjoyed that. 1062 00:36:26,267 --> 00:36:27,686 Do you have, like, a circus background 1063 00:36:27,686 --> 00:36:28,853 or, like, Cirque du Soleil? 1064 00:36:28,853 --> 00:36:30,105 ‐ I did Cirque du Soleil for a little bit. 1065 00:36:30,105 --> 00:36:31,523 ‐ It is kind of, like, creature‐like‐‐ 1066 00:36:31,523 --> 00:36:32,691 some of the movements that you did. 1067 00:36:32,691 --> 00:36:34,025 ‐ Right. ‐ Yes. 1068 00:36:34,025 --> 00:36:36,695 ‐ But there's also some moments where I felt like... 1069 00:36:36,695 --> 00:36:38,196 like, I don't know. 1070 00:36:38,196 --> 00:36:41,491 I wanted to be, like, more drawn in I guess. 1071 00:36:41,491 --> 00:36:45,203 I'm trying to find the words because I'm torn a little bit. 1072 00:36:45,203 --> 00:36:46,996 ‐ I saw what you saw. 1073 00:36:46,996 --> 00:36:49,916 You're amazing. You're strong. 1074 00:36:49,916 --> 00:36:52,627 You're flexible. You're emotive. 1075 00:36:52,627 --> 00:36:54,546 But you're cutting yourself short 1076 00:36:54,546 --> 00:36:55,964 in some of the movements, 1077 00:36:55,964 --> 00:36:57,215 and it's one of the things, 1078 00:36:57,215 --> 00:36:58,550 and I think that's 'cause you're in your head. 1079 00:36:58,550 --> 00:36:59,884 ‐ Oh. 1080 00:36:59,884 --> 00:37:01,219 ‐ You gotta get out your head a little bit. 1081 00:37:01,219 --> 00:37:02,303 ‐ You're definitely in your head. 1082 00:37:02,303 --> 00:37:05,515 ‐ And really dance as much as you 1083 00:37:05,515 --> 00:37:08,143 are thinking you're dancing. 1084 00:37:08,143 --> 00:37:10,979 ‐ I wanna talk about the emotion of the piece. 1085 00:37:10,979 --> 00:37:12,313 When she said you're in your head, 1086 00:37:12,313 --> 00:37:14,023 like, that resonated with me because I can tell 1087 00:37:14,023 --> 00:37:15,692 that this is supposed to be, like, 1088 00:37:15,692 --> 00:37:18,737 a super emotive moment‐‐ the smile happens. 1089 00:37:18,737 --> 00:37:20,488 I could tell that you felt something, 1090 00:37:20,488 --> 00:37:22,741 but in order for it to be successful, 1091 00:37:22,741 --> 00:37:24,367 I need to feel it too. ‐ Absolutely. 1092 00:37:24,367 --> 00:37:26,911 ‐ You need to feel it here, which I think you do. 1093 00:37:26,911 --> 00:37:29,289 Your body needs to follow that. ‐ Yeah. 1094 00:37:29,289 --> 00:37:31,791 ‐ It's like saying an amazing poem 1095 00:37:31,791 --> 00:37:34,085 in a language that you made up. ‐ Absolutely, yeah. 1096 00:37:34,085 --> 00:37:35,587 ‐ Like, it doesn't matter how amazing the poem is 1097 00:37:35,587 --> 00:37:36,921 if I can't understand what's being said, 1098 00:37:36,921 --> 00:37:37,922 you know what I mean? 1099 00:37:37,922 --> 00:37:38,923 ‐ Mm‐hmm. 1100 00:37:38,923 --> 00:37:39,924 ‐ So that I can go, "Oh, my God, 1101 00:37:39,924 --> 00:37:41,676 like, I just felt that right there." 1102 00:37:41,676 --> 00:37:43,094 ‐ Yeah. 1103 00:37:43,094 --> 00:37:44,429 ‐ That's the only critique that I would give you, so... 1104 00:37:44,429 --> 00:37:46,264 [BANNERS' "Got It In You"] 1105 00:37:46,264 --> 00:37:47,891 For me, personally... 1106 00:37:47,891 --> 00:37:49,225 ‐ ♪ Now you think you're gonna drown ♪ 1107 00:37:49,225 --> 00:37:50,602 ‐ It's a yes. 1108 00:37:51,561 --> 00:37:52,604 J, what'd you think? 1109 00:37:52,604 --> 00:37:53,563 ‐ I would say... 1110 00:37:53,563 --> 00:37:56,191 ‐ ♪ You got it in you ♪ 1111 00:37:56,191 --> 00:37:57,942 ‐ Callback. 1112 00:37:57,942 --> 00:37:59,736 What'd you think? 1113 00:37:59,736 --> 00:38:01,780 ‐ I'm a little on the fence. 1114 00:38:01,780 --> 00:38:03,615 Gonna have to say it's a... 1115 00:38:03,615 --> 00:38:06,659 [suspenseful music] 1116 00:38:16,961 --> 00:38:19,746 ‐ Kurtis Sprung, for me, personally... 1117 00:38:19,964 --> 00:38:22,467 ‐ ♪ You give all that sweat and blood ♪ 1118 00:38:22,467 --> 00:38:24,260 ♪ Now you think you're gonna drown ♪ 1119 00:38:24,260 --> 00:38:25,553 ‐ It's a yes. 1120 00:38:25,553 --> 00:38:26,554 [BANNERS' "Got It In You"] 1121 00:38:26,554 --> 00:38:27,555 J, what'd you think? 1122 00:38:27,555 --> 00:38:29,808 ‐ I would say... 1123 00:38:29,808 --> 00:38:32,143 Callback. What'd you think? 1124 00:38:32,143 --> 00:38:33,561 ♪ ♪ 1125 00:38:33,561 --> 00:38:35,647 ‐ I'm a little on the fence. 1126 00:38:35,647 --> 00:38:36,815 ♪ ♪ 1127 00:38:36,815 --> 00:38:38,566 I'm gonna have to say it's a... 1128 00:38:38,566 --> 00:38:40,652 ♪ ♪ 1129 00:38:40,652 --> 00:38:41,820 It's a yes. 1130 00:38:41,820 --> 00:38:43,488 ‐ ♪ When the lights go out ♪ 1131 00:38:43,488 --> 00:38:45,657 [laughter] 1132 00:38:45,657 --> 00:38:46,908 ‐ Appreciate that. 1133 00:38:46,908 --> 00:38:48,409 ‐ The next time we see you, the emotion 1134 00:38:48,409 --> 00:38:49,994 needs to be crystal clear. ‐ Crisp. 1135 00:38:49,994 --> 00:38:52,288 ‐ We need to know the words to the poem that you're saying. 1136 00:38:52,288 --> 00:38:53,998 ‐ Absolutely. ‐ We'll see you in the duels! 1137 00:38:53,998 --> 00:38:55,542 Let's go! 1138 00:38:55,542 --> 00:38:59,003 ‐ ♪ I know you think your fire is burning out ♪ 1139 00:38:59,003 --> 00:39:00,463 ‐ That small kid from Caroga Lake 1140 00:39:00,463 --> 00:39:02,257 would be very proud of me, but he also would say, 1141 00:39:02,257 --> 00:39:04,133 "You're not done," and I'm gonna keep fighting, 1142 00:39:04,133 --> 00:39:06,010 and the duels is next, so I'm ready to battle. 1143 00:39:06,010 --> 00:39:07,637 ‐ ♪ You got it in you ♪ 1144 00:39:09,764 --> 00:39:10,974 ‐ That's it. ‐ Go home, go. 1145 00:39:10,974 --> 00:39:12,141 ‐ Yeah, really. ‐ Thanks, you guys. 1146 00:39:12,141 --> 00:39:13,434 I'll see you tomorrow. ‐ Bye, babe. 1147 00:39:13,434 --> 00:39:14,435 ‐ What's next? 1148 00:39:14,435 --> 00:39:15,436 ‐ Callbacks. ‐ Callbacks. 1149 00:39:15,436 --> 00:39:16,688 ‐ I'm anxious. 1150 00:39:16,688 --> 00:39:18,273 [Labrinth's "Something's Got To Give"] 1151 00:39:18,273 --> 00:39:22,443 ‐ ♪ I've got my head full of dreams ♪ 1152 00:39:22,443 --> 00:39:23,778 ♪ ♪ 1153 00:39:23,778 --> 00:39:25,697 ♪ Oh, when the working don't pay ♪ 1154 00:39:25,697 --> 00:39:27,699 ♪ Oh, when you're living on faith ♪ 1155 00:39:27,699 --> 00:39:31,870 ♪ Something's got to give, something's got to give ♪ 1156 00:39:31,870 --> 00:39:35,999 ♪ Gotta give a little more ♪ 1157 00:39:35,999 --> 00:39:37,208 ♪ ♪ 1158 00:39:37,208 --> 00:39:38,877 ♪ Whoa, yes ♪ 1159 00:39:38,877 --> 00:39:40,128 ‐ I like it here. 1160 00:39:40,128 --> 00:39:41,671 ‐ I dig it. ‐ I wanna stay here. 1161 00:39:41,671 --> 00:39:42,964 ‐ It's a jam. 1162 00:39:42,964 --> 00:39:46,301 ‐ What's up, what's up? What's up, what's up? 1163 00:39:46,301 --> 00:39:48,469 [all cheering] 1164 00:39:48,469 --> 00:39:51,139 ‐ It's callbacks, baby! 1165 00:39:51,139 --> 00:39:52,307 ‐ This is kind of like a second chance. 1166 00:39:52,307 --> 00:39:53,725 This is like the chance at... ‐ Yeah. 1167 00:39:53,725 --> 00:39:55,059 ‐ "Mm, I didn't quite do it the first time." 1168 00:39:55,059 --> 00:39:56,227 ‐ Mm‐hmm. 1169 00:39:56,227 --> 00:39:58,187 ‐ I wanna see how much they stepped up. 1170 00:39:58,187 --> 00:40:00,064 You know, I started in the same exact way‐‐ 1171 00:40:00,064 --> 00:40:03,568 walking into an audition, trying to get a dance gig, 1172 00:40:03,568 --> 00:40:05,820 trying to, you know, pay my rent, 1173 00:40:05,820 --> 00:40:08,406 and having the same hopes and dreams 1174 00:40:08,406 --> 00:40:10,199 as these dancers do. 1175 00:40:10,199 --> 00:40:12,410 ‐ You are standing here because the judges 1176 00:40:12,410 --> 00:40:14,829 wanted to see more from you. 1177 00:40:14,829 --> 00:40:16,539 ‐ ♪ Give a little more ♪ 1178 00:40:16,539 --> 00:40:18,374 ‐ One callback, one performance, 1179 00:40:18,374 --> 00:40:21,085 can just change everything forever. 1180 00:40:21,085 --> 00:40:24,923 Callbacks, ten acts, only four slots. 1181 00:40:24,923 --> 00:40:27,342 ‐ Six acts are going home. 1182 00:40:27,342 --> 00:40:28,509 ♪ ♪ 1183 00:40:28,509 --> 00:40:30,762 ‐ ♪ Whoa, yes ♪ 1184 00:40:30,762 --> 00:40:32,680 ‐ One last shot. 1185 00:40:32,680 --> 00:40:34,098 ‐ Been a lot of hard work, 1186 00:40:34,098 --> 00:40:35,600 so we cannot let that go to waste. 1187 00:40:35,600 --> 00:40:37,060 ‐ Everything you got. 1188 00:40:37,060 --> 00:40:38,603 ‐ We need a yes from everybody. 1189 00:40:38,603 --> 00:40:39,896 We don't want our journey to end. 1190 00:40:39,896 --> 00:40:41,439 ‐ We're gonna get all yesses. 1191 00:40:41,439 --> 00:40:43,107 [all cheering] 1192 00:40:43,107 --> 00:40:45,109 ‐ Show 'em why you deserve to be here. 1193 00:40:45,109 --> 00:40:47,779 ‐ Gotta give it your all. ‐ We have nothing to lose. 1194 00:40:47,779 --> 00:40:50,365 ‐ Gotta leave everything you have on that dance floor. 1195 00:40:50,365 --> 00:40:51,616 ‐ This is it. 1196 00:40:51,616 --> 00:40:52,784 ‐ ♪ When the going gets tough ♪ 1197 00:40:52,784 --> 00:40:55,453 ‐ Let's go! ‐ Who's up first? 1198 00:40:55,453 --> 00:40:57,664 ‐ ♪ Hey, be different ♪ 1199 00:40:57,664 --> 00:40:58,831 [Black Eyed Peas' "Be Nice"] 1200 00:40:58,831 --> 00:41:00,416 ♪ Be nice ♪ 1201 00:41:00,416 --> 00:41:02,877 ‐ And boom and pop down low. Duh, duh, duh, duh. 1202 00:41:02,877 --> 00:41:05,880 ‐ We are the Rise, and we are in the callbacks. 1203 00:41:05,880 --> 00:41:07,465 [all cheering] 1204 00:41:07,465 --> 00:41:10,301 ♪ ♪ 1205 00:41:10,301 --> 00:41:13,137 We didn't quite get a yes, but we didn't get a no. 1206 00:41:13,137 --> 00:41:14,430 We had a little slipup, 1207 00:41:14,430 --> 00:41:17,266 so we have another chance to redeem ourselves. 1208 00:41:17,266 --> 00:41:19,394 ‐ ♪ I promise it'll change your life ♪ 1209 00:41:19,394 --> 00:41:20,603 ‐ [grunts] 1210 00:41:24,315 --> 00:41:25,984 ‐ I know you missed your thing at the end, 1211 00:41:25,984 --> 00:41:27,986 but we're really looking at people to see 1212 00:41:27,986 --> 00:41:30,238 how much potential they have 1213 00:41:30,238 --> 00:41:33,616 and if they deserve to be in the competition. 1214 00:41:33,616 --> 00:41:35,785 ‐ I felt like I let the team down a little bit. 1215 00:41:35,785 --> 00:41:37,328 ‐ It's not on one of us. It's on all of us. 1216 00:41:37,328 --> 00:41:39,288 ‐ Yeah, we signed up as a team. 1217 00:41:39,288 --> 00:41:40,999 We win together. We lose together. 1218 00:41:42,500 --> 00:41:43,793 ‐ Yeah. ‐ Yeah, they did. 1219 00:41:43,793 --> 00:41:45,628 ‐ We just need to literally just be ourselves. 1220 00:41:45,628 --> 00:41:47,797 ‐ It's that little, like, 1%. Turn it up. 1221 00:41:47,797 --> 00:41:48,798 ‐ Yeah. 1222 00:41:48,798 --> 00:41:51,300 ‐ ♪ Hey, be different ♪ 1223 00:41:51,300 --> 00:41:52,927 ♪ Be nice ♪ 1224 00:41:52,927 --> 00:41:54,178 ‐ With our callback performance, 1225 00:41:54,178 --> 00:41:56,848 we really wanna show the judges that we have more 1226 00:41:56,848 --> 00:41:58,975 than just hard‐hitting hip‐hop 1227 00:41:58,975 --> 00:42:01,269 and more than just tricks and flips. 1228 00:42:01,269 --> 00:42:02,854 We wanna show them that we can bring 1229 00:42:02,854 --> 00:42:06,024 another element of hip‐hop into the competition. 1230 00:42:06,024 --> 00:42:07,358 ‐ That's what I'm talking about. 1231 00:42:07,358 --> 00:42:08,359 There we go. 1232 00:42:08,359 --> 00:42:09,527 That's the callbacks. Let's go. 1233 00:42:09,527 --> 00:42:10,653 Let's go. 1234 00:42:13,698 --> 00:42:15,992 We will go through any obstacle 1235 00:42:15,992 --> 00:42:18,202 and we will definitely rise above. 1236 00:42:18,202 --> 00:42:19,871 We're here to win. 1237 00:42:19,871 --> 00:42:22,415 ‐ All right, stand by, gentlemen. 1238 00:42:22,415 --> 00:42:23,666 ‐ Where's the Rise? 1239 00:42:23,666 --> 00:42:26,711 [suspenseful music] 1240 00:42:26,711 --> 00:42:28,713 ‐ There they are. ‐ Let's go! 1241 00:42:28,713 --> 00:42:30,798 ♪ ♪ 1242 00:42:34,623 --> 00:42:37,638 [upbeat music] 1243 00:42:39,974 --> 00:42:47,023 ♪ ♪